Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Yet it had not occurred seriously to anybody, so far as I knew, that
the mordant scenery of _Ape and Essence_ was a logical extension of
current events. Wild fantasy, the critics thought--having insufficient
imagination to evaluate past or present and no education in the
sciences whatever, as a rule.
Well, I thought, when and if we reach the state of cannibalism, I shall
try to eat a critic. There should be good crackling around fat heads.
And next I thought that even Huxley made too little of the fact that,
after our earth was literally Hell for a hundred years, man produced
the Renaissance.
I also thought how no one apparently had realized that the Californian
cult of Belial was an inversion of the Roman Catholic parades,
liturgies, chants and other idolatrous measures. And I thought how
the Huxleyan method disclosed, with considerable vim and penetration,
that Christian worship--Catholic or Protestant--is all but completely
a paean for Satan today. The Godly serve the Devil through hatred,
hypocrisy, materialism, conceit and big death wishes. They need only a
change of names and symbols to align what they actually do with their
pretension. Belial already reigns over the Church--not God.
Someday, after the atomic wars--I thought--a practitioner of the
corrupted religion of his time, a science-hater (for what he deemed
science had done to man), a legless character with three arms and
two navels (owing to the general damage done the genes of all living
things), a cannibal (but one who could still read a little), might
discover this volume in the silence of a wrecked library and hail
Huxley as a great prophet--a man with valuable new ideas for worship
and fresh notions about sex relations in public places. Thus Huxley
might contribute (contrary to his intent but in the same fashion as
many other prophets) to the majestic rites of human degradation.
No critic, however, could possibly contemplate such a matter as
anything but a joke.
I wondered how the great-grandchildren of critics would view it.
Thus wondering, I went to bed.
It was late, of course.
I put out my light and listened to the seismic nocturne of the city.
From the next room came a bold, cajoling giggle.
Then quiet.
The building quivered.
The planet turned.
Exhaustion lowered me into sleep on a jerky rope that did not loosen me
for a long time.
12
Public-domain text, read in full here on John Shaqi.
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