Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Contrary to expectation, the end of civilization came about through a
series of events connected in no way with war or atomic bombardment. Of
these events the earliest, so far as careful inquiry could determine at
the time, was initially observed by Malcolm Calk of 2531 North Munley
Street, Urbana, Illinois. Mr. Calk had just become engaged to Dorothea
Lurp of the same address--the boarding establishment of Sarah L. Rev,
or Reev--and they were celebrating the happy occasion by spending a
weekend at the Chicago home of Miss Lurp's parents. The day being
warm--it was the 9th of August, in the hot summer of 1953--the young
couple determined to repair to the beach.
They were contentedly ensconced at the lakeside when Mr. Calk's eyes
wandered from the person of his fiancée, who was in wading, to the
clouds overhead. These were of a cumulus nature, for the most part
widely spaced, and drifting southward on a wind reported later by the
Weather Bureau as of twelve miles per hour at mean cloud altitude.
Calk's mind was, as may readily be imagined, turned toward those
fancies which are commonly described as "building castles in the air."
He reports, indeed, that the phrase passed through his thoughts as he
looked at the vaporous structures overhead.
Within them he observed a certain slight turbulence or agitation to
which he at first paid scant heed. Clouds revolve and turn themselves
inside out in a manner that bespeaks air currents and their own
diaphanous consistency--a manner that sometimes suggests they have a
life of their own in a weird fourth dimension of the blue up yonder.
But the young Calk gave the phenomenon only a cursory, occasional
glance; his head was already "in the clouds"--another phrase upon which
he recalls musing at the time. He was apparently a person of whimsey--a
patternmaker employed by the Racine Forge and Tool Company of Urbana.
Presently, however, his focus was drawn with insistence toward the
slow-tumbling clouds and, as people will, he gave free play to his
imagination, seeing in the changing shapes now a dragon, now a cat's
face, and now the chuck of a turret lathe. These gossamer figures
wove themselves, vanished, and eddied into yet different forms until,
ultimately he found himself viewing a large letter N. About this he
saw nothing remarkable--at first. A letter of the alphabet is probably
shaped by the clouds as often as any boar's head or serpent.
The "N," however, took on contour and texture until it seemed a
deliberate thing--resembling, as Calk put it later, "Sky-writing done
backwards in a newsreel so that the frayed-out smoke pulled together
again to make a real clean-cut N."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account