Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"We're grateful."
"Remember the _Three Little Pigs_--and the song about the 'Big Bad
Wolf' that people sang to kid themselves in the Depression?"
"I remember."
"So all right. We went to see this movie--and we also saw a remake
of the Little Pigs. Same story. Same art. Same theme song. At the
finale, the new inspiration is this: the wolf pops down the chimney of
the little pig in the brick house--hind end first. And the pig fills
a caldron with turpentine. The wolf lands in same--and the picture
irises down on the wolf roaring away, his hind legs held high, his
turpentined anus dragging, his forelegs pulling--like any dog. Now--I
was brought up to believe that you can't tell the same joke twice. And
I was also taught that putting turps on animals' rears was sadistic.
I still think it is. And I think it's too vulgar a way to try for a
laugh--cruelty to animals aside. That, my boy, is truly obscene--the
dying effort of a perishing industry. Fortunately--television is coming
in--and it will be far more vulgar. Television will really speed up the
fertile necessity of a great change in this disgraceful Western world.
Right?"
"Right," said Dave. "I saw that short. I psychologically snapped my
_petits fours_." He looked at me for a while. "Phil--why'd you call me
over here, this morning?"
Karl came with the gin and tea. I signed. He went.
Dave's question startled me. I suddenly saw it from his angle. I'd
allowed him to skip--or postpone--an important conference because
(I'd said) my nephew was on an emotional binge and I needed aid. Dave
would know that, all else being equal and normal, I could handle my
nephew. He'd know that, barring some editorial crisis, the cutting of
a serial wasn't so important I couldn't set it aside for a day or so
to row a relative through the waters of a soul-struggle. He'd know,
by my cursory attention to Paul--and by the way my talk had slatted
around--that I had more on my mind than Paul's problem. So he had
realized--and I had not--that I'd decided to call in a friend--for
myself.
"I need a good lawyer," I said.
"Oh--oh!"
I looked at him cross-eyed. "What an evil mind you have! I keep my
accounts and the tax people are not particularly interested in me.
No brunette has letters of mine and is asking for a thousand bucks.
Nobody is suing me for plagiarism. I just noticed a little nuisance in
the back of my throat the other day and went over to see Tom and had a
biopsy--and I want my affairs in order."
I shouldn't have done it that way. He turned sheet-white.
"There isn't any report on the biopsy yet," I said. "Won't be till
Monday. Makes quite a long weekend. But I have a hunch--"
"You God-damned dour Scotchmen! Maybe it's nothing."
"Tom thinks it's something."
He looked out the window for a long time--with his shoulders folded
forward and the sun beating on his face, reflecting into it from the
cement top of the parapet and bouncing at it from the tile terrace
between. That ugly, fond mug.
Public-domain text, read in full here on John Shaqi.
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