Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"Depraved," he repeated. "That's the trouble with you Gentiles. Two
rules for everything. 'If thy right eye offend thee, pluck it out.'
But--'Let not thy left hand know what thy right doeth.' Something of
that sort. So you reconcile the pair by going around plucking out other
people's right eyes; and not letting your open hand know the other is
gouging. Consulting the oracle! What a phrasemaker!"
I told him about Gwen and Yvonne.
He pretended to be still more deeply outraged. "There you are! A
perfect Wylie situation. God, what an imposter! Not one lovely
girl--but two--are sent on silver salvers. You entertain them. You get
all the social opprobrium and none of the benefits. What confidence can
youth have in you, after a trick like that? Here you are--the last hope
for phallic worship in a dying world. The man with the one message that
makes sense. Either the boys get their breeches back--and do things to
make the dames respect 'em--or Nature will throw us out of the party.
You proclaim it with your foghorn and you play it on your xylophone.
But when it gets right down to the bedrocking--what do you do? You
personally, Mr. Prophet? Welsh! Walk out on the act!"
"Times are changing," I told him. "Phallic worship? Can you build
good rituals around our businessmen? A healthy restoration of
phallic worship would ruin the profitable activities of every vested
institution in the land, from its banks to its churches. People
wouldn't even care if the trains ran on time, any more. Think of that!"
Dave was leering at me pensively. "By God. It might be the thing to
revive Hollywood."
"Yeah," I said. "You open with a prologue that shows modern psychology
has found the roots of love in our love lives. Then you fade to the
American Home, where a Husband is trying to figure out how to arouse
or enchant or even slightly interest one Beautiful Blonde Mother. She
is rushing about the house swatting her children for bringing home a
magazine full of art studies. Her husband tries to slip his arm around
her--but she knows he is suffering from neurotic hay fever, makes his
living by manufacturing second-rate household appliances which he sells
owing to better advertising, is afraid of his stockholders, never had
the earning capacity of Joe Benson or Harvey Tekker or Don Oaker,
and is scared of her, besides. Great subject for phallic worship! We
fade to a contented pagan maiden in the South Sea Isles--ukeleles and
moonlight--"
"And the MPPA comes in and tosses out the film! It's a conspiracy!" he
said in a Durantean tone.
"You guys have worked out the vein--that's all. There can't be any
more very interesting movies till there's a new public attitude about
life. You've got to where there's no permissible area that you haven't
canvassed a hundred times. The new pictures are all remakes. People
get sick of such things. Jam yesterday, today and tomorrow is as bad
as none today. All the movies are self-plagiarisms. I even went to one
with Ricky this summer."
Public-domain text, read in full here on John Shaqi.
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