Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"It's pretty lurid. They had a veterans' parade yesterday--and
I went over to Fifth to watch--and it was damn near immobilized
in the asphalt. It would have been funny--millions of guys stuck
there--blocking traffic all winter--! If you go out just to get a
paper, you need asbestos shoes. Any minute, this joint may run like
paraffin."
"I think you ought to knock off and go see somebody."
"Town's evacuated. Wouldn't be emptier if Molotov was threatening to
A-bomb."
"Do you feel all right?"
"Sure, Tud. As all right as you can when you're standing by to swim
up out of your own sweat, any minute. How's mother? What new mess has
Popcorn made?"
She gave me the country news.
"Won't be too long now," I said.
"Miss you."
"Miss you. Been thinking about the gardens. See you day after
tomorrow--barring acts of God."
"I'd rather wait longer--and have you sounding better."
"You wait till I get there and I'll do my own sounding."
"Good night," she said. "I love you."
When I hung up, I was quivering.
I'd come pretty close:
Well, Ricky, I am worried. I went to Tom's. Of course, it's probably
going to turn out to be nothing. But until I know for sure I feel--the
hell with it! I'm ashamed of being this way!
I sat there, taking divots out of myself and not getting on the green.
I looked at the roses again.
They were just yellow roses--big ones--in a glass vase. I yanked out
the bridge table, batted the bridge lamp around, sat, and bent into it.
6
Yvonne came through the connecting doors about one o'clock. I was still
bent--bent enough so it took a moment to turn and straighten after she
said, "Hello, Svengali!"
She was drunk. Not happy-drunk, or mean-drunk, either. Nervous-drunk.
"Your pure relation left me," she said.
"Left you how?"
"Left me in this condition. Buy me a Scotch."
I sent the word.
She threw herself on the divan, blew down the front of her rose-pink
dress--which was wrinkled now, wet under the armpits, city-smudged
at the edges--and fixed her fidgety eyes on me. "We went down to the
Palais and danced a bit. He's lousy. We started in having a flock of
drinks. He talked. Good God, how Wylies talk! He told me the story of
his life--including the full saga of Marcia. He got to that later--at
the Club Mauve."
"Nice little spot!"
"He said we were both in a revolting mood and so we should go to some
repulsive place."
"Then you told him the story of your life, too?"
"Up to when I met you."
"Is that going to be a date, from now on? Milestone? And millstone,
too? Try to bear in mind--it's your life and you're of age."
"So all right, lambie-pie! No hard feelings. The point is--the more
he told me about his Marcia--the less he noticed me. We switched to
Planter's Punches, in due time, and had a zombie somewhere along the
way. For a while I thought the rum was going to do what my gilded
fleece couldn't. We necked. It's dark as a bat's groin there, anyhow."
"Pretty metaphor."
Public-domain text, read in full here on John Shaqi.
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