Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"We necked, I said. Back in the old days--last week--I could neck
with a boy from the time he cut me out at the prom until bacon and
eggs at Child's--and never feel a thing I didn't want to feel.
Tonight--though--I lost ground so fast you'd think I was a juvenile
delinquent trying her first reefer."
"Poor premise--but I get the idea."
"And what?"
She turned and smiled with excess brightness at George, when he carried
in the round, silver tray.
"And what--?" She revived the question. "Just as your cute little
Paulie-pie was getting interesting--and I thought, interested--he
talked himself right into going on the hunt for his Marcia again!"
"That's too bad."
"It's too bad--and what are you going to do about it?"
"Remember what I said concerning how I don't like girls when they drink
too much? Even a little bit too much?"
Yvonne gulped explosively. "All right, then! So I call up Gwen! And
that's your fault!"
"Telephone's right beside you."
She looked at it sulkily. Then she grabbed it and gave the number.
"Hello ... this is Mrs. Roland Prentiss ... is Gwen Taylor there?" She
stuck out her tongue at me. "Gwen, darling!... dad's gone, at last ...
sure ... that would be lovely ... of course!"
"Ace-in-the-hole," I said.
"Don't be--" She shrugged and laughed restlessly. "Oh--all right. It's
my life, though, isn't it?"
"That's the idea."
"Phil!"
"Present--and unaccountable." I didn't feel witty.
"You come with me--" She was standing and she finished the highball
standing.
I shook my head. "I'm going after Paul."
"Where?"
"Here and there." I had one idea, anyway.
She undid her dress and stepped out of it and threw it over her
arm. She looked at me for another moment with eyes both jumpy and
expressionless. "You wouldn't regret it."
"Some other time, baby. I got to go find that cluck."
"See you," she said and swept out in her bra and petticoat.
This time, when I heard her shower begin, I locked my door. Then I put
on a dry, newly pressed seersucker, a light silk tie, and went out
before she decided to try again.
The cab tooled along Fifth Avenue a ways, dove through the Park, and
rattled into a semislum section--an area of delicatessens and bowling
alleys, dated, disreputable hotels, massage parlors, shrieking truck
brakes, trickling electric signs, jaded cafeterias, and a crosshatch
of streets narrower than the avenues, darker, lined on both sides with
identical brownstones that exuded a smell of senescence and rotted
brick tenements upon the façades of which hung rusty fire escapes. On
the fire escapes were people, their pets, bedding and potted plants,
beer pails and radios, along with their accents of Crete, Sicily and
the Balkans, Bohemia and Slovakia and Sudetenland--the wonderful poor,
the authority for democracy--they said, the intellectuals who had made
gods of them without touching them.
I looked, listened, sniffed attentively.
Last chance.
And I remembered.
Public-domain text, read in full here on John Shaqi.
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