Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"My Lord--" the colonel all but whispered--"what shall we do?"
"Return."
The soldier's eyes faltered. "Abort the mission!"
"I hoped I might persuade you."
"Another would merely follow--!"
"And them."
"But--duty!"
"To whom is duty?"
A head appeared in the round mouth of the tunnel. Learned, the
journalist, grinned like an imp. "Nasty crawl," he yelled. "Hope
they've got that thing well insulated. Otherwise--I'm unsexed--or
hotter than radium myself!" He saw the stranger, and halfway down on
the ladder stood still. His eyes, ordinarily shrewd and compassionate,
showed first a little amazement--and then twinkled. "A ringer! You
would pull one like that, colonel! The American press wants to know who
he is!" Learned chuckled and dropped to the metal floor. Strode the two
steps forward. Gave his name. Held out his hand. Explained himself.
"You're a physicist, I take it?"
"My name is Chris." The dark eyes were luminous and kind.
"Chris who?"
The colonel took the journalist's arm in a hand like steel and
whispered.
Learned, also, grew pale. He stared first at the colonel and then,
uneasily, he eyed the stranger. Twice, the gleam of sardonic doubt
shone. And twice, with all his will and concentration, he endeavored to
make some satirical reply: to say, skeptically, that this would be the
greatest interview in two millenniums.
Or to ask how things were in the Blue Up Yonder.
He failed. He--too--abruptly knew. The resources of his training
abandoned him--left but the residue of naked personality. His tongue
circled his lips. He gave the stranger another uncertain glance, a
hopeful glance--and suddenly, on the impulse, took out his cigarettes
and offered them.
Chris shook his head. "Thanks, Learned."
"Do you mind--"
"Of course not."
Now the journalist and the colonel shakily fumbled with cigarettes and
the wavering flame of a match.
Chris had turned. He was looking expectantly toward the narrow door
that led to the radar room and from it, presently, Sopho came. "Thought
I'd run a counter through the tunnel," he began. "Check things." He saw
Chris. "Hello! Didn't realize I hadn't met the ship's full complement."
The colonel and the reporter watched.
"My name is Chris, doctor."
"Can't place you. The Chicago Group, perhaps. I didn't meet them all."
"No."
"Army, then? White House? OSS? I'm a physicist. Sopho's the name."
"This man," said Learned, in a hoarse, uneven voice his ears had never
heard before, "comes from--another place." He told the physicist.
Dr. Sopho's right thumb and forefinger touched his small beard. Across
the back of his hand--tanned to leather by his long residence in the
desert--skin pimpled and the reddish hairs rose. The tiny phenomenon
passed--passed like the eddy of air that dimples still water and
disappears. His great head with the thin nose and the straight,
exaggerate brow bent forward attentively. He was searching the stranger
for obvious signs of madness. It became apparent that he found none.
Public-domain text, read in full here on John Shaqi.
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