Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"Incredible," he murmured.
"You do not believe me?"
The scientist shook his head. "My dear fellow--I do not even believe
_in_ you. So--naturally--" He turned with abruptness to the colonel.
"How did he get aboard? His papers?" He now saw the colonel's frantic,
imploring eyes. "Great God, man--you don't accept--?"
"It's the truth," Colonel Calm responded.
Sopho looked quickly at Learned--who glanced away.
The scientist seemed, for the first time, alarmed. Not alarmed at the
statement made by the man but at its effect upon two persons whom he
had considered impervious to wild suggestion. Obviously, it was up
to him to break the lunatic's spell. Some fabulous stowaway--and the
journalist and the soldier--drawn overfine by the magnitude of this
mission--had become prey to imagination.
One humors the mad--at any rate, to begin with. "I see," said Sopho.
He now faced the stranger--who stood in their midst. "Tell me. Just why
did you decide to accompany this particular raid?"
Chris, still smiling, repeated his words about his promise--and after
that, the promise.
"End of the world, eh?" Sopho chuckled. "You sure?"
"Your world--perhaps."
"You want us to give it up? The mission?" Sopho pointed at the bomb
bay. "That?"
Chris looked steadily at him. "If I remember rightly, doctor, you began
the preparation of--that--" he, also, pointed--"not to use against men,
but to have on hand if your other enemy employed such instruments. He
did not. He lies defeated."
Sopho nodded. "Right. Now we are using it to shorten the war. Save
lives."
"_Save_ lives?"
"By shortening the war, man! Simple arithmetic--!"
"What about--the next war? And the next? The wars beyond that?"
"This weapon should--and in my opinion will--put an end to war."
Slowly, Chris shook his head. "Strange reasoning. A _weapon_ will put
an end to war."
"An absolute weapon, man! The world will never again risk going to war.
Never again dare take the risk!"
"It will fear too much, you think?"
"Precisely."
"But isn't it fear, doctor, that has always caused men to wage war?
Fear in this form today--tomorrow in that form--?"
"Can you think of a better means of ending wars--foolish wastes!--than
an absolute weapon? We have changed the whole picture of war!"
"But not changed men!"
There ensued a moment without talk.
Chris presently said, "This weapon. Where it falls, the genes
of men will be broken. Perhaps their children--perhaps their
grandchildren--will carry the heritage. Headless bodies. Eyeless
faces. There--teeth everywhere. And yonder--no voice. Generation after
generation, for a thousand years--this great invention will go on
waging your present war, doctor, against the unborn."
The colonel grabbed the scientist's arm. "Is that true?"
Public-domain text, read in full here on John Shaqi.
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