Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"Marcia is a whore. Was, is, and always will be. Sit still. I am
giving you the advantage of a certain amount of background. And I am
not the kind of guy who says that a girl who sells her body always
sells her soul. You know it! The trouble with you isn't Marcia--it's
neurotic stubbornness. Trying with all your might to make a cheesy
setup turn beautiful. Chopping yourself down at the knees. Then--when
you're on your knees--chopping off the stump where your manhood ought
to be. And so on up--through the guts and the heart. All that's left
is a crazed beezer. I had a long talk with your Marcia yesterday. If
you'll try to stay in one piece, I'll tell you about it, in a sec.
But--meanwhile--somebody ought to brief you on the fact that there may
be only one kind of love in the folklore of the U.S.A.--but there are
five thousand kinds in people. Marcia had a kind for you that didn't
match your sentiments for her. Look at it that way."
Then I told him about my séance with his lambent, incorrigible girl
friend.
He did listen.
I have to say that.
He listened like a man in the hands of the Gestapo trying to see if,
perhaps, keeping quiet and not moving a muscle will help the pain.
When I wound it up, my compassion was coming back:
"I'm sick of it, Paul! Dave's sweating over you when he already has
plenty to keep him busy. We've chased around for you the whole damned
weekend--both of us with other things to do, and troubles of our own.
Why? We think a lot of you. Because you're having the rough end of the
rough time, we are, too. You were shot from worrying about the state of
the world. A damned good-looking babe moved in on you and made it twice
as rough. And you don't understand yourself. But the time has come to
shut the book, Paul. The chapter's finished. There's no epilogue. It
isn't one of my stories, boy. No happy ending. You couldn't get her
back if you were the chief of police. You _could_ get her back if you
were Midas--and that way you wouldn't want her. She got a big throb out
of you. She was as honest as she's able to be--for a time. Her mother
instinct kept her going awhile. But she was soon laying the boys in the
back room even though she was doing your cooking, nights. She offered
me a deal--and if that doesn't cure you, son--" I racked the brain for
a conclusion--"well, go on up and buy a hunk."
He didn't say anything.
I suppose he sat for five minutes.
His face was just--sweaty, like everybody's--and gray, and apparently
relaxed.
When he walked over to the window, I thought I'd won, and my nerves
gave an inch or two--so I could go on living a little while longer,
myself.
But he leaned way down, lifted his long, slatty leg, stepped out on the
terrace, and hopped up on the parapet. Sixteen stories of straight wall.
I went after the God-damned fool.
He turned around and sat there.
"Don't come any nearer," he said. His voice was like bad brakes.
So I leaned against the sill.
Public-domain text, read in full here on John Shaqi.
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