Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
He saw, quicker than I, that his ankles were in range of a dive. He
pulled them up, pivoted, and stretched out on the top of the wall. It
was cement--about a foot wide. And baking hot. He rocked and wriggled
for a minute, took off his coat, folded it, and stuffed it under
himself. While doing that, he almost lost his balance. He caught a
fingerhold on the inside edge of the concrete, which stuck out over the
bricks a half or three-quarters of an inch.
"Paul," I said, "for God's sake, come in."
"I like it here."
"Okay."
"I want to think."
"Help yourself."
"You wouldn't understand."
I went back through the window and into my apartment. I was quivering
like a broken spring and my mind wasn't tracking. I shoved into the
bathroom and poured a glass of water. Equal parts of fright and
fury--as intense as I'd ever felt--slopped the water. I drank what was
left. Then I went back to the window.
"Listen," I said. "I can't stop you, if you want to knock yourself off.
But this is my apartment. Jump from somewhere else, will you?"
"I haven't decided."
"Well, then, come on in and make up your mind. I'm high-shy. I don't
like to stand on that terrace. And seeing a guy--even you--silhouetted
against my skyline makes me sick at the stomach."
"It's the only thing I ever heard of that makes you sick! New
experience for you. You like new experiences. Try to get a kick out of
it."
"Okay," I said. "Jump, then, you yellow sissy."
He nearly did. He swung around so his legs dangled in the air--all
those stories above the sidewalk. His fingers on the concrete rim
turned white and his muscles vibrated.
"Paul!" I moaned at the fool.
He pulled back. "I'm not afraid," he said--as if to himself and in a
surprised tone. "It's just that--I haven't quite decided."
"Please, cooky!" I put all the begging I have into it.
He shrugged. "Maybe--later."
He let go and fished in his pockets.
"Wait," I said.
I climbed out again with the cigarettes. Possibly--
"Toss 'em!"
I threw one--he reached--and it sailed out of sight, the sun catching
it at the top of its arc. I tossed another. He got that one.
"Better go back inside," he said.
He lighted up and commenced to smoke.
I went in.
By then I was beginning to think a little. If I had a rope, I might
get it over him. Only I didn't have a rope. And I might fail on the
first try--in which case there probably would not be a second chance.
If I could distract him for a bit, I still might grab him. Only, if
there was any slip-up about that--he'd dive the sixteen floors. Well,
then--what did you try to remind them of? How bright they were? How
young? Or did you keep taunting them until they either went, or gave
up? It looked as if that last wasn't right for Paul.
My phone rang.
"Mr. Wylie? This is Mr. Harrison--at the desk." He sounded upset. He's
a nice guy--the assistant manager.
I said, "Yes."
Public-domain text, read in full here on John Shaqi.
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