Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"I'm busy tonight," he told me. "Can't get out of it. What about
tomorrow--for dinner?"
I said, "Swell. When will I have the report?"
"Monday."
"Be quite a long weekend."
He commenced writing a prescription.
I had told him how well he seemed, when the nurse had ushered me in.
He didn't seem well any more. The vestige of his White Mountain tan
was saffron. In fifteen minutes, circles had come under his eyes. He
handed me two little rectangles of paper. "No--pain?"
"Not yet." It was a cruelty.
He flinched minutely. "That's for pb. Quarters. If you spook yourself
up. And sodium amytal. Grain and a half. Sleep. You can take the whole
bottle, if you want to. Then the biopsy will surely be negative and
you'll have thrown away your other six lives." He put his arm around my
shoulder. "See you tomorrow--at your hotel--around seven."
I walked through the patients--through people who had nothing more
serious than hypertension, or gastric ulcer, or diabetes. Or perhaps
they did have fatal afflictions, though. Cancer, for example. You
couldn't say what they had--sitting there, tremulously thumbing the
magazines. They looked at me. They looked at the fat girl who rose
because her turn was next.
I lit a cigarette when I got outdoors.
Coal tar, I thought.
Too late not to light a cigarette.
I stepped down in the gutter--in gum wrappers, glittering bits of
cellophane, the blanched drift of horse manure, a swatch of blue cloth,
a letter that had been rained on, fresh Pekinese sign, and a little
dry mud. All around me midday, midtown Manhattan soaked up August in
its brick pores, its limestone pores--flashed back August from glass,
from polished granite, and from all its million metal fixtures. The sky
was bluely vague. An air-liner shoved up through it from La Guardia--a
grinding abnormality.
I hailed a cab.
For the ordeal of biopsy, whatever it might be, I summoned my meager
contempt. A long experience of surgery is a poor indoctrination for
each new need of it. Ringed about with sadists in white suits, with
sterile techniques, with inquisitional steel, I have been too often the
Exposed Nerve. I do not hope much, any more--and only defy so long as
I am able. This artificial pose, garnished with calm and with smiling,
is what some men call courage, and others dignity, but no man in his
right mind evokes without cost: _we are the hateful survivors of our
sciences_.
It was a little thing.
A needle's prick in an alabastrine clinic. A numb diddling above the
tonsil. Some blood to spit out.
The one sharp experience was the slight widening of the surgeon's eyes
when first he saw my throat.
Go on, I thought. Tell me that the cure of cancer depends upon its
early recognition! Ask me if I haven't read the advertisements of the
Society! And ask yourself, you smooth-faced blue-eyed son-of-a-bitch,
if you have checked the area behind your own uvula lately!
What I said was, "Just noticed it today."
Public-domain text, read in full here on John Shaqi.
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