Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
People are always calling me up. They want me to talk to Lions,
Elk, Moose, and other quadrupeds. I never do. They want me to go on
Information Please, or Town Hall, or Breakfast at Sardis. I never go.
They want to know what boat to charter for a day's fishing. I always
tell them. They want to argue. Me, too.
I thought, friends, relatives. Max, maybe--my brother. I thought, We,
the People, asking me to appear as a Voice.
"Sorry--I'm all booked up. Busy. Going to die in a few weeks.
Yes--exactly. Keeps you jumping."
"Phil! This is Paul! I'm down in the lobby!"
"Well, come up." I gave him the room number.
Paul is the eldest of my nephews--twenty-five now, or perhaps only
twenty-four. His last name's Wilson. He is my older sister's only
son and he reminds me of myself at that age, sometimes. Gaunt and
hectic--continually outraged by the course of human events and
continually upset by his own doings as well as his failures to do.
Erudite in many things. Phenomenally naïve, all but unteachable, in
others. (Maybe I haven't changed as much as I think.) And there is a
difference between us of great magnitude. Where I was an interested
but lazy mathematician, Paul is a genius; where I was captivated by
every discovery of every science and adept at none, Paul was captured
in earliest childhood by physics. We are temperamentally alike, to some
degree. But he concentrated and achieved where I dispersed my attention
and mastered nothing. He has--as I have--the familial facility for
expression; this is the common property of so many of my relations that
when any of them turns out to be inarticulate he is regarded as a sport.
Paul's mother, Georgianna Wylie, was such. Born two years before me,
still more years before my brother, sister, half brother and half
sister, and dispatched to an aunt after the death of my mother--which
occurred when I was small--she was always a nebulous member of
the family. A cumbersome, religious woman who wore plain-colored
dresses--brown, as a rule--and rolled her hair in tight coils, like
rusty screendoor springs. An introvert. She sang in the choir somewhere
and studied for the missionary field. She never made it. Some remote
Wylie cousin fell ill and Georgianna was drafted to take care of her.
The illness turned chronic and young Georgianna's assignment became
penal servitude. She spent twenty years or so as a peon in a prairie
village that straddled a State border. What was never bloom, faded
gradually; but it did not quite die out. One night in Minnesota at a
camp meeting she met a chemistry professor who had gone to the service
for a lark. He had it. He got Georgianna pregnant on the spot--or
within harmonium-shot of it--and she died giving birth to Paul.
Wilson, the professor, meantime had done the right thing by her; they
were married by an uncle of mine.
Public-domain text, read in full here on John Shaqi.
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