Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
He nodded. "She has a sense of drama. All I did--feeling suffused that
evening with love--was to take her to her apartment and bid her a
pleasant good night. She asked me in--sure. Even tried to argue me in.
But I was thinking in terms of the long and sentimental pursuit. Or--at
least--decorum. Not-the-first-night, baby. That's me. Gentleman of the
old school. I extracted her phone number--it wasn't difficult--and
escorted her home, and went out to Brooklyn to my flat--and dreamed
into my pipesmoke. Happy me."
He was silent for so long that I said, "And then?"
"I called her up the next afternoon. She was busy." A muscle shaped
itself in his temple, twitched, vanished. "So I made a date for another
evening. We had dinner and danced around--at the Stork. On dough you
lent me. And that evening I accepted the invitation to go into her
apartment with her. You see--she wasn't merely diverted by a dope--but
she felt she owed me something. Something that corporation had paid
for. Only--"
"It was different for her."
He seemed surprised. "How'd you know?"
"I'm thinking of the difference that would understandably exist between
a guy who was paying--and a guy in love with you."
"It upset her."
"So she tried to duck you."
He was still more surprised. "She told me she'd be out of town for a
couple of weeks."
"And you waited--"
"--the all-time eager beaver. And phoned. She sounded--odd. She asked
me if I'd like to come up to her place for dinner--said she didn't feel
like going out. She cooked. I know now that she had planned to tell
me--that night. Instead--well, she didn't. She said she worked some as
a model--which she had done. She said she had an income--not said, just
hinted. I asked her to marry me--around three A.M."
"Just what did she do about that?"
"She cried. Quietly. Told me that she'd taken a fall out of
marriage--which was also true. Didn't want to risk it again--not
without being sure of the guy. And said there weren't any such guys
as--she needed."
"Pretty close to being pretty nice."
Paul answered the door, took the drink, and put his own dollar on
Karl's tray. "It went that way for about two months. Then she told
me." His ice clinked without his volition. "The whole story--straight
out--beginning at dinner one evening in the Waldorf. The guy she
married--a smug, sadistic twirp. Getting divorced. Coming to New York.
Scrimping along on modeling jobs. Running into Hattie Blaine. Ever
heard of her?"
Who hadn't? Hattie was madam to Manhattan's upper set. I gave a nod.
"Hattie sold her on the idea--after quite a campaign. Marcia went
to work. That was about three years ago. I took her home that
night--placidly enough--and went for the walk that lasts till they put
out the sidewalks again. Then I phoned Johann I was sick--and got sick,
drinking. For a month or so more, I tried the old Presbyterian anodyne:
work. No use."
"Not when you're young."
"Later?"
"It comes with time. Go ahead."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account