Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"When I had all but burned out my main bearings, I phoned her. Maybe
you won't believe it--but Marcia was going to phone me that evening. We
talked it over. She moved to my flat and got a job."
"So?"
"We might get married."
"She want to?"
"She refuses--now. I'm not always certain I want to, myself." He stuck
his forefinger into his shoe and tugged at the counter. "And I don't
know why. Why I want to marry her. Why I'm uncertain."
"How do your--?" I broke that off.
But he got it. "My friends think she's swell. You gathered she was
good-looking. She's a tall, slender gal with light-brown hair and blue
eyes. Quiet. You'd never think--! But I went into that, didn't I? She
attended college, in Iowa, for a year--and she likes to read. By that I
mean--"
"Nobody else--?"
"Christ, no. They think she's a working gal--which she is, now: a nice
friend of mine."
"Someday--" I stopped there--again.
"Yes." His face whitened. "A putty-chinned, overweight lodge brother
from Keokuk, just tight enough to miss the stony stare and come up with
the big hello. It's happened."
"I see."
"She went home and had hysterics."
"Bring her over."
Paul looked at me thoughtfully. "You are upset."
"Sure. Now. _You_ are. So bring her over. Not tonight--or tomorrow
night. I'm busy."
"What about lunch tomorrow? She's not working and I can slide out."
"Lunch, then. Come around one."
The family's very fond of Paul and a good many of us have tried to
spoil him. He was one of those irresistible kids--the kind that wears
glasses, has braces on his teeth, raises bizarre pets, looks up
everything in the encyclopedia, and is always engaged in a project
about five years ahead of his current age--so that he is always in deep
water and needs help. Everybody helped Paul. When he grew up--through
one of the most gangling and precocious adolescences in the history of
youth--the aunts, sisters, and female cousins used to argue constantly
about his looks. Was he genuinely handsome, did he merely have
character in his face, or was he plain ugly but friendly-looking? The
argument was never decided. But, at least, he looked better when his
eyesight was corrected, the spectacles were abandoned, and the braces
had come off his teeth.
I walked Paul to the door and pulled out my bill-clip. There were a
couple of fifties in it and I gave them to him. Not much else--so--when
he'd gone, I wrote a check to cash and phoned for Bill the bellman. He
came up and took my check and brought the money back in a few minutes.
I gave him fifty cents--knowing it was too much--knowing I had always
tipped too much--knowing that I had never cared because I'd been
brought up amidst nickel pinchers and because I like to please the
people around me--and realizing all of a sudden that I would go right
on being extravagant till the day I died which, luckily for my estate,
probably wouldn't be far off.
Public-domain text, read in full here on John Shaqi.
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