Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
You can hold her hand and a chemical change will take place in her.
You can kiss her in certain ways and the Old Memories will do what
rhetoric cannot.
And you can dance with her.
If you can dance.
You can dance by fox trot, the American way, the integration of
surfaces. We know the same steps, the same skills, the same beat. We
look well together. We make a matched pair. The thresholds of our
sentiments mesh, dovetail, tongue-and-groove. We are, indeed, in the
groove.
You can use the dance of conquest and gradual assent, the tango.
Or the rumba.
Which is African. Studied teleology, stylized candor, libido embedded
in the music, suspended in cadences, arrested, sustained--beyond
intellect, this side of ecstasy. It is a sophistication that northern
countries never knew of--a primitive deliberation, a hot-blooded
coolness. For not knowing, they are punished by going without--and
in other, obscure fashions. Very few northern women and fewer men,
excepting among the young, are able to discover the essence.
They rumba--they say.
They wave their tails like pennants, the oscillating flesh corrupt in
Christian purity.
Yvonne was one of the few.
She came honestly by the name, I thought.
"Huguenots," she said when we sat down. "On mother's side."
How can the Americans ever cleanse themselves?
I ordered our dinner.
Again, she tried to lead--to change her mind--to demur--to say she
wasn't hungry--then to consider the cold roast beef.
"You'll like it," I said. If she had insisted, I'd have let her order
for herself. But she didn't want anything in particular to eat. She
wanted to see what happened to her slight, vain whims. So I ignored
them.
"You can have another Martini."
"I guess I must?"
"Sure. Must. Dinner will take a few minutes and we won't dance again
till after."
"You're terribly positive."
"Nonsense," I said. "You're used to men who have been beaten to death
by women before you got hold of them."
Her eyes fixed on me, dilated, and she laughed. "Rol."
"Among all the others. Maleness has just about disappeared in your
native land, sister. The boys are all brought up by women, and taught
by women in school, and then they go to work to support women by
manufacturing and distributing the things women think they want. It's
called civilization--and actually it's only the highest form barbarism
has yet reached. Trinket-and-gadget society. Domestic convenience
society. A society that holds a handkerchief to one end and sets
the other on a flush toilet--a society that aims to make the linen
germicidal and the toilet silent, colored, and perfumed."
"And men? What do they do? Use fingers and squat?"
Public-domain text, read in full here on John Shaqi.
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