Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
My body ad-libs its life. When its brain is electrified, when the
aurora of thought and imagination and sensation ascends there as a
means to work, to dream, to worry, to engage in reasoning or wild
speculation, the thing that calls itself "I" follows after, like a
boy after a rainbow--and I have found as many pots of gold as a bank
president. And when my body has nothing to say or do or think about, I
sleep. I lie on the ground. I hoe potatoes and corn, dig garbage pits,
make tables and bookshelves, fix gadgets. I sit on a beach and stare at
the accumulation of hydrogen cunningly mixed with oxygen. When my body
is sick, the I runs to doctors, takes pills, eases itself--and pushes
at pain only if it must, like a man wheeling a heavy barrow up a hill.
I do not have the illusion of fortitude that makes sadists of, say,
Englishmen. I suffer. And when my I is grayed with its own weather, or
the bad chemistry of the body that owns it, I suffer, too--jittering
and jizzling, mourning and dreading, a repelled, repellent object--a
man with blues.
The construction of society does not permit such practices by most.
They have the 8:02 to catch, the Monday wash, and their two weeks in
July. The church bell rings not when the preacher feels he is close to
God, but at eleven, on the Seventh Day. He who is weak with the length
of winter cannot escape it; who faints in the summer must faint again
upon recovering consciousness--or else employ his I to whip his body so
that it will face summer without further protest.
No other animal would do itself such violences.
This is an age of schedules. The people of it have long since foundered
in time. Time is a sea that presses them to its bottom--a sea that
waterlogs their tissues--a sea that prevents them from the experience
of its own medium as other than a weight and an absolute dimension.
Living is drowning with the first lesson at the clock and being drowned
forever after that.
My body and my I had endeavored, with some success, to ignore the
obsessional meridians. Others may travel them like a baby that has
learned to walk and become so enamored of the skill as to proceed,
steadily, for the rest of its days, in one straight line on time's sea
bottom. We have stopped--separately and together--somewhat explored
time's other dimensions--gone to the surface and seen the sun, for
example--bought time, stolen it, ignored it, zigzagged, looked back
through it, and seen the straight line of the compulsive infant for the
circle it really is.
Public-domain text, read in full here on John Shaqi.
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