Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
As Dr. E. has shown, time's a human invention--a convenient illusion.
As the body knows, it has no more significance, alone, than width,
by itself. But the I has taken time, in most cases, for a universal
measurement, notched it in hours and minutes, and set the whole world
to counting time. Its mere recognition is subjective. Yet, how few
subjects realize that if the subject be a baseball player, and if his
subjectivity and objectivity live fifty years--then the subjectivity of
Wordsworth, or Emerson, may have lasted for several hundred thousand?
So, in this frame of reference--this truer attitude--even I, compared
with some of my timeserving fellow men, may be older than Methuselah.
The body is potentially immortal: it can reproduce itself. And so the I
would be immortal in its self-sensation if it were oriented, like the
lives of animals, toward that which it could reproduce--all men toward
all men yet to be--rather than toward its wretched self-awareness, its
greedy, permanent stoppage of time for narcissistic attitudinizing.
The I is a mirror. It can see itself forever and any now as this
now--if only it looks at the reflection to observe all those behind
and all beyond, of which it is an integral. But if it ignores those
behind--rules out even the next-lowest author of its instincts--and if
it eschews the requirements of those to come which are the integral
function of itself--if, that is, the I concentrates upon its one
embodied reflection, rejecting the panoply of life and repudiating
past and present for its little now--then, truly that I is mortal. It
is a suicide for that it is an assassin.
Such are all persons but a very few, these days.
So are they taught.
So inspired: unpunctuality and unproductivity are un-American.
So do they urgently maintain themselves--egoists without the sense of
individuation.
And that is why the earth is perishing for man.
In the hatred people have for people.
And the absolute hatred of posterity that rises from the absolute
rejection of our real ancestry.
There are moments when the circumstance is unutterably clear to me--and
in these, I _know_--without respect to the immediate employment of my
body or the thing called I.
There are moments when the time-easements I have bought grow clouded.
And then the knowledge escapes arms, legs, cranium, and I.
What man, reared as I was, domiciled in this earth's insanity, has even
the intimations, let alone the occasional assurance? And who, attached
to his clocks, trains, bells, and the earth's turned shadow, keeps a
continual hold upon the vital principle? Very few.
Say it was late.
Say I did not want to sleep.
Say, if you will, I did not want to face my circumstances. It is not
so. The space during which I sat on the green sofa smoking my cigarette
was what you call ten minutes--an infinity that could not be shortened,
made painful, or even touched at any point by measurement.
I picked up the telephone.
Public-domain text, read in full here on John Shaqi.
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