Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
I grinned back--and sat on the bench beside the young lady as soon
as Jay pulled out the table. She looked at me--turning her head
slowly--and afterward went on reading her book. Her eyes were gray,
stained with some unguessable, dark residue of emotion. Her hair was
pale blonde, not quite ashen--parted in the middle and clipped at the
back like a schoolgirl's--with a wide gold barrette. She had small,
smooth hands. She wore a square engagement ring and a wedding ring set
with many diamonds. From time to time, too, she sipped a Martini. Her
dress was a gray and white print--not fancy but fitted by somebody who
knew the tricks. Bonwit's, maybe, or Bergdorf's. Her shoulders were
fairly broad, for a girl's. But she had large, firm breasts--or the
synthetic equivalent thereof. I noticed, too, that the perfume she
used was not right for her appearance--though perhaps it suited the
self-estimate of her soul. It was one of the musky varieties--animal,
nocturnal, full of erotic business.
In a restaurant where you have enjoyed a thousand meals, you look
desultorily at the menu because, as a rule, you know what you are going
to order. I took the fried sole, a boiled, parsley potato, and apple
sauce.
Then, for a while, I forgot the girl.
I must plan, I thought.
First, the money.
Fifty thousand dollars' worth of insurance. Several thousand dollars
in war bonds. I had about ten thousand in the bank. Ricky had a few
thousand. We owed a steep mortgage on the house we were building in
Florida--in the country south of Miami, among live oaks and cabbage
palms. It would be too big a home for Ricky and her mother and Karen,
by themselves. Too big--and too expensive to keep up, without my
income. They could sell it as soon as it was finished, and undoubtedly
make a small profit. Or they could rent it each year for a much larger
sum than the interest, amortization and upkeep--thus bringing to my
estate an income of one or two annual thousands.
I would be paid twenty-four thousand dollars for the serial upstairs,
when I had cut it.
Unfortunately, half of that would be turned over to the government, as
income tax. Most of the balance was ear-marked for furniture which
Ricky now might or might not buy. I thought about the tax....
Business is the lone God of our Congress. Let a man open a pie factory
or begin to mold cement blocks and he becomes Privileged. His property
is taxed as a sacred, eternal entity. His costs are deductible. Only
the profit he pockets is thought of by our Congress as income; his
every barrel of flour or bag of cement is capital. But let a man
create books or serials in his head and Congress sees him as a social
inferior, a mere wage earner.
Public-domain text, read in full here on John Shaqi.
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