Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
I am not a jealous man and even my envies are of an obscure sort.
The momentary shock came from the fact that, never before, had I
thought of Ricky as married to another man. Romantic about another
man--perhaps. (Hadn't I said, in fun and also meaning it, that if, in
our seventies, she were to swear she had been faithful, I would regard
it as sad? No man desires a wanton for a wife. But a great many men
love their wives in such a fashion as to consider them people--human,
curious, imaginative, subject to sensations of staleness, capable of
discretion, and not intended to be--through every hour of all that is
a life--belled, balled and chained, hobbled and kept like cattle. An
academic point--now. We might never see those seventies--note the
envisaged smiles--or hear the candlelit confidence.) She would marry
again. Karen would marry. The bonds I'd bought, the real estate, the
insurance I'd purchased down the years--flush or borrowing--would
provide a measure of security.
_Come war? Come vast inflation? Costly sickness?_
There is no security on our planet. There is no way, by money, wills,
investments, legal instruments, or other means, to carry even the
smallest wish or the most minimal responsibility beyond crematory
and urn. Such is the aching truth--the irony we try to avoid. No one
understands it better than I--but I had done what I could to avoid it,
too. Done it--in spite of a national tax philosophy that evaluates
authorship as a meaner trade than pawnbroking.
In all America are only five thousand of us who make our whole
livelihood by writing, anyway. To Congress--a scattered,
inconsequential number--vote-voiceless and therefore impotent. It
is a figure--five thousand in one hundred and fifty millions--which
the aspiring writer should bear in mind. And some are communists, or
leftists, besides--which, in the miserable eyes of Congress these days,
no doubt makes our whole profession suspect. Freedom is sick. Freedom
is dying.
Why not?
Everything is sick and doomed.
Including me--now, I thought jeeringly.
My plate came--the toast-brown fish, the green-speckled potato, a salad
I hadn't ordered, tartar sauce in a dish, and the applesauce in another.
I pushed Congress out of my mind.
More accurately, the girl did.
She cleared her throat. A little sound, with faint annoyance clinging
to it.
I had been sitting there, smoking two cigarettes, oblivious to her for
ten minutes. She must have assumed that I had chosen to sit beside her
because she was attractive--which was true. But now, owing to the
absence of sidewise glances, of self-conscious bread-buttering, of any
aura of awareness, she had irritatedly cleared her throat. If I had
spoken to her forthwith she would, perhaps, have made a short, polite,
but discouraging reply. Since, however, I had broken off even the
peripheral touching of consciousness, she coughed vexedly, exploringly.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account