ΝΕΚΡΟΚΗΔΕΙΑ; Or, the Art of Embalming;: Wherein Is Shewn the Right of Burial, and Funeral Ceremonies, Especially That of Preserving Bodies After the Egyptian Method. Together With an Account of the Egyptian Mummies, Pyramids, Subterranean Vaults and Lamps, and Their Opinion of the Metempsychosis, the Cause of Their Embalming. As Also a Geographical Description of Egypt, the Rise and Course of the Nile, the Temper, Constitution and Physic of the Inhabitants, Their Inventions, Arts, Sciences, StupGreenhill, Thomas
Philosophy
ΝΕΚΡΟΚΗΔΕΙΑ; Or, the Art of Embalming;: Wherein Is Shewn the Right of Burial, and Funeral Ceremonies, Especially That of Preserving Bodies After the Egyptian Method. Together With an Account of the Egyptian Mummies, Pyramids, Subterranean Vaults and Lamps, and Their Opinion of the Metempsychosis, the Cause of Their Embalming. As Also a Geographical Description of Egypt, the Rise and Course of the Nile, the Temper, Constitution and Physic of the Inhabitants, Their Inventions, Arts, Sciences, Stup
Greenhill, Thomas
Burial -- Early works to 1800; Embalming -- Early works to 1800; Funeral rites and ceremonies -- Early works to 1800; Mummies -- Early works to 1800
_We must therefore grant that the Ancients knew many Things, which in
process of Time, either thro’ Fire, Inundations, hostile Invasions, or
other Accidents and Devastations, have intirely perish’d, and still
remain so, as_ Pancirollus _fully shews; or if we have any superficial
Knowledge of them, as is somewhat apparent from our Modern Architecture,
Sculpture, Painting_, &c. _yet are we even at this present so vastly
deficient in the very best of our Imitations, that none have ever
hitherto arriv’d to any tolerable Perfection; nevertheless should any
one so perfectly apply himself to the Study of one of those_ lost Arts,
_as to make a new Discovery therein, I hope you would allow him the same
Praise as if he had been the first Inventor; and, for my part, however I
should fail in answering your Expectation, of what is seemingly promis’d
in the_ Title-Page; _yet, thus far I am pretty sure, that I have given
more light into the Matter, than has been done by any of those imperfect
Accounts of_ Herodotus, Diodorus Siculus, _&c. And tho’ some Things that
I say may seem to want Authority, yet for the most part, should I have
made all the Quotations I could have brought to prove my Assertions, it
would have extended this Volume to a much larger size than I intended;
wherefore I have in a great measure designedly omitted them, to the end
I might avoid Prolixity as much as possible, and in other places I have
us’d their Words expresly as my own, not to detract from them, but to be
more concise, and have in several places not mention’d their Names, for
the aforesaid Reasons: So I do here, once for all, with submission,
Apologize for my self, that the censorious World may not repute me an
ungrateful_ Plagiary.
_I acknowledge therefore this my Labour, in one respect to be a
Collection, in all to be still deficient of that Perfection which so
noble an_ Art _deserves; yet in some Things I have improv’d it, and in
others apply’d it to those Uses which have scarce before been thought
of. But all the Satisfaction I have herein, is to think that I have
perform’d my Duty, in exerting my small Talent, with the utmost Care and
Diligence, for the Benefit of our_ Company; _and if my Work does not
perform what is intended and desir’d, it will nevertheless be Useful,
Pleasant, and serve to Divert you, which_ Horace _says is the Perfection
and Chief end of all Writing_:
Omne tulit punctum qui miscuit Utile Dulci.
A List of such Noblemen and Gentlemen as have been pleas’d to Encourage
this Work with Sculptures.
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