Oregon and Eldorado; or, Romance of the Rivers — John Shaqi
Oregon and Eldorado; or, Romance of the RiversBulfinch, Thomas
History
Oregon and Eldorado; or, Romance of the Rivers
Bulfinch, Thomas
Amazon River; Columbia River; El Dorado; Lewis and Clark Expedition (1804-1806); Oregon -- Discovery and exploration
"As soon as we were seated, an old man rose, and, after approving what
we had done, begged us to take pity upon their unfortunate situation. To
this we replied with assurances of protection. After he had ceased, the
great chief rose, and delivered an harangue to the same effect. Then,
with great solemnity, he took some of the more delicate parts of the
dog, which was cooked for the festival, and held it to the flag by way
of sacrifice: this done, he held up the pipe of peace, and first pointed
it towards the heavens, then to the four quarters of the globe, and then
to the earth; made a short speech; lighted the pipe, and presented it to
us. We smoked, and he again harangued his people; after which the repast
was served up to us. It consisted of the dog, which they had just been
cooking; this being a great dish among the Sioux, and used at all
festivals. To this was added _pemitigon_, a dish made of buffalo-meat,
dried, and then pounded, and mixed raw with fat; and a root like the
potato, dressed like the preparation of Indian-corn called hominy. Of
all these luxuries, which were placed before us in platters, with horn
spoons, we took the pemitigon and the potato, which we found good; but
we could as yet partake but sparingly of the dog. We ate and smoked for
an hour, when it became dark. Every thing was then cleared away for the
dance; a large fire being made in the centre of the house, giving at
once light and warmth to the ball-room. The orchestra was composed of
about ten men, who played on a sort of tambourine formed of skin
stretched across a hoop, and made a jingling noise with a long stick,
to which the hoofs of deer and goats were hung. The third instrument was
a small skin bag, with pebbles in it. These, with five or six young men
for the vocal part, made up the band.
"The women then came forward highly decorated; some with poles in their
hands, on which were hung the scalps of their enemies; others with guns,
spears, or different trophies, taken in war by their husbands, brothers,
or connections. Having arranged themselves in two columns, as soon as
the music began they danced towards each other till they met in the
centre; when the rattles were shaken, and they all shouted, and returned
back to their places. They have no steps, but shuffle along the ground;
nor does the music appear to be any thing more than a confusion of
noises, distinguished only by hard or gentle blows upon the
buffalo-skin. The song is perfectly extemporaneous. In the pauses of the
dance, any man of the company comes forward, and recites, in a low,
guttural tone, some little story or incident, which is either martial or
ludicrous. This is taken up by the orchestra and the dancers, who repeat
it in a higher strain, and dance to it. Sometimes they alternate, the
orchestra first performing; and, when it ceases, the women raise their
voices, and make a music more agreeable, that is, less intolerable, than
that of the musicians.
Public-domain text, read in full here on John Shaqi.
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