Women -- Asia -- History; Women -- Middle East -- History
"Some women's faces are in their brightness a prophecy, and some in
their sadness a history." As these two women stood with their faces set
toward Palestine, upon one was written a history of sorrow; upon the
other there fell the sunrise of a new day. In Ruth's determination to
follow Naomi, even to death,--for "a woman can die for her friend as
well as a Roman knight" when she has one, as Jeremy Taylor has
declared,--the young widow of Moab began a new life, which was destined
to make her the ancestress of Judah's royal house, the great grandmother
of David the king.
As the poetic story of Ruth proceeds, it records several interesting
ancient marriage customs among the people of Israel. In marked contrast
with the Hindoo custom of condemning widows to a life of scarcely
bearable hardships, the Hebrew law was so framed as to make widowhood as
far as possible a temporary state. The custom of Levirate marriage
enforced upon the brother or nearest of kin to the deceased husband the
obligation of taking the widow of his brother to wife, in order that the
brother might not be without heir and memory in the land. Ruth's
deceased husband had rights in the ancestral estate, and the Hebrew law
was careful that estates should not pass out of the hands of the
original owners, if it were possible to prevent it. Ruth, the widow,
suddenly appears at Bethlehem, the old home of her husband's people. It
is the time of the barley harvest. Naomi plays the role of the scheming
mother. She would have her beautiful young daughter-in-law find a
husband among her kindred, that her lamented son might have an heir to
honor his memory and that the portion of the estate which was Elimelech
her husband's might be redeemed. The love plot sends Ruth into the field
of Boaz, a wealthy farmer and near kinsman of Elimelech, to glean after
the reapers, for no man was permitted by the law to deprive the poor of
whatever pickings they might find when the reapers had passed. The quick
success of the plot, the fascination that Boaz feels for the graceful
but unknown woman, the command given the reapers to leave behind by
purposeful accident a little more of the grain than was usual and be
gracious to the girl; the invitation at mealtime to come and partake of
the repast of parched corn with the reapers; the resolve of Boaz that
should there be found no nearer kinsman--whose duty it would first be to
take the young woman to wife--he himself would choose her. All these
incidents pass in rapid and romantic succession. The observation is
apparently true that "women are never stronger than when they arm
themselves with their own weakness." Boaz at once pledged himself to be
the damsel's friend and protector. The next of kin declines or waives
his right to the young widow, for he does not care to redeem Elimelech's
portion of the land, a necessary part of such a matrimonial transaction.
Boaz therefore summons the young man, next of kin, who has declined to
Public-domain text, read in full here on John Shaqi.
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