Origin and Development of Form and Ornament in Ceramic Art.: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466. — John Shaqi
Origin and Development of Form and Ornament in Ceramic Art.: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466.Holmes, William Henry
History
Origin and Development of Form and Ornament in Ceramic Art.: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-1883, Government Printing Office, Washington, 1886, pages 437-466.
Holmes, William Henry
Decoration and ornament -- History; Indian art -- North America; Pottery -- History
/Suggestions of features of natural utensils or objects.
| /
| | /Handles.
| | |Legs
| | Functional|Bands
| | \Perforations, etc.
| |
|Suggestions of features of |
|artificial utensils or objects.| /The coil.
| | |The seam.
Origin of ornament| |Constructional|The stitch.
| | |The plait.
| \ \The twist, etc.
|Suggestions from accidents /Marks of fingers.
| attending construction. |Marks of implements.
| \Marks of molds, etc.
|
|
\Suggestions of ideographic features or pictorial delineations.
+SUGGESTIONS OF NATURAL FEATURES OF OBJECTS.+
The first articles used by men in their simple arts have in many cases
possessed features suggestive of decoration. Shells of mollusks are
exquisitely embellished with ribs, spines, nodes, and colors. The same
is true to a somewhat limited extent of the shells of the turtle and the
armadillo and of the hard cases of fruits.
These decorative features, though not essential to the utensil, are
nevertheless inseparable parts of it, and are cast or unconsciously
copied by a very primitive people when similar articles are artificially
produced in plastic material. In this way a utensil may acquire
ornamental characters long before the workman has learned to take
pleasure in such details or has conceived an idea beyond that of simple
utility. This may be called unconscious embellishment. In this
fortuitous fashion a ribbed variety of fruit shell would give rise to a
ribbed vessel in clay; one covered with spines would suggest a noded
vessel, etc. When taste came to be exercised upon such objects these
features would be retained and copied for the pleasure they afforded.
[Illustration: _a._--Shell vessel. _b._--Copy in clay. FIG. 475.--Scroll
derived from the spire of a conch shell.]
Public-domain text, read in full here on John Shaqi.
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