Origin and Early History of the Fashion PlateNevinson, J. L. (John Lea)
History
Origin and Early History of the Fashion Plate
Nevinson, J. L. (John Lea)
Fashion -- History
_This paper, based on a lecture given in the fall of 1963 at the
Metropolitan Museum, New York, traces the history of the fashion plate
from its origins to its full development in the 19th century. With the
improvements in transportation and communication, increased attention
came to be paid to foreign fashions, accessories, and even to
hairstyles. As the reading public grew, so fashion consciousness
increased, and magazines, wholly or partly devoted to fashions,
flourished and were widely read in the middle social classes; this
growth of fashion periodicals also is briefly described here._
THE AUTHOR: _John L. Nevinson, retired, was formerly with The Victoria
and Albert Museum, London. He now devotes himself to full-time research
on costumes and their history._
Fashion may be defined as a general style of dress appropriate for a
particular person to wear at a certain time of day, on a special
occasion, or for a specific purpose.
A fashion plate is a costume portrait, that is to say, a portrait not of
an individual but one which shows the sort of clothes that are being
worn or that are likely to be worn. It is a generalized portrait,
indicating the style of clothes that a tailor, dressmaker, or store can
make or supply, or showing how different materials can be made up into
clothes. A fashion plate is related to the wear of its epoch and not to
the history of dress, except insofar as the dress of a historical
personage may be imitated at a later date. A fashion plate is reproduced
mechanically, the woodcuts and engravings of earlier dates being
succeeded by lithographs and finally by the various photographic
processes of our time.
This definition of a fashion plate is broader than the one adopted by
Mr. Vyvyan Holland, who has written the only substantial book on the
subject.[1] Mr. Holland limited his study to hand-colored fashion plates
of the period from 1770 to 1899, possibly because these are most in
favor with collectors. He omitted trade and advertisement plates,
believing them to be primarily concerned with the history of dress.
Public-domain text, read in full here on John Shaqi.
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