Original Plays, Second SeriesGilbert, W. S. (William Schwenck)
General
Original Plays, Second Series
Gilbert, W. S. (William Schwenck)
English drama; Operas -- Librettos
_Whi._ The ugly one, of course.
_Tom._ I don’t see what you’re driving at.
_Whi._ Don’t you? Why, if Tom Cobb’s dead and buried, what becomes of
the bill Tom Cobb gave Ben Isaacs?
_Tom._ But the ugly Tom Cobb never gave a bill. (_A light breaks upon
him._) Oh, you cunning devil!
_Whi._ Now then, what d’ye say to dying by deputy?
_Tom._ By Jove, it’s worth thinking of.
_Whi._ Worth thinking of? It’s worth jumping at without stopping to
think at all.
_Tom._ I believe you’re right. (_After a pause._) I’ll do it! I’m a
dead man! I can come to life again, I suppose, when I like?
_Whi._ Oh yes, under another name. But you’ll have to hide away for a
few months.
_Tom._ Oh, ah; but (_turning out his pockets_) how about burial fees?
_Whi._ Will five and twenty pounds do it?
_Tom._ Five and twenty pounds will just do it.
_Whi._ Then come along at once to my house, and take leave of this life.
_Tom._ But you’ll let me take a last farewell of Matilda?
_Whi._ No, no; bother Matilda! (_Taking his arm._)
_Tom._ Oh, but you mustn’t bother Matilda!
_Whi._ Now, now, do come along.
_Tom._ Hang it all, let me see her before the tomb closes over me for
three months!
_Whi._ No, you can write to her; now, come at once, or I won’t help you.
_Tom._ Then farewell, Matilda; I go to my doom. Whipple, during
my decease I confide her to you. Be a mother to her. (_Kissing
photograph._) Farewell, unhappy Matilda; be true to my memory, for
I’m as good as dead, and you’re engaged to a body! (_He staggers out
wildly, followed by WHIPPLE.)_
_Enter MATILDA._
_Mat._ Now, where’s he gone with Whipple, I’d like to know? That
Whipple’s up to some bedevilment with him, I’ll go bail.
_Enter BIDDY._
_Bid._ Please, miss, here’s a young lady as says she must see you, and
won’t take no denial.
_Mat._ A young lady?
_Enter CAROLINE, in great agitation. She is a romantic-looking young
lady, with long curls and gushing, poetical demeanour. She pauses
melodramatically._
_Car._ Matilda! Don’t ye know me?
_Mat._ ’Deed, and I don’t. Why, if it isn’t my old schoolfellow, Carrie
Effingham! It’s Carrie, as I’m a living sinner!
_Car._ Yes; I came to town yesterday; and though ten long weary years
have flown since last we met, I could not pass my dear old friend’s
abode without one effort to awake those slumbering chords that, struck
in unison, ever found ready echoes in our sister hearts.
_Mat._ Why, ye talk nonsense as well as ever, dear; but I’m glad to see
ye. (_She sits. CAROLINE kneels at her feet._)
_Car._ How well--how very well you’re looking--and, heavens! how
lovely!
_Mat._ Yes, dear. Ye’re lookin’ older. Ye’re not married yet, I suppose?
_Car._ Alas, no! (_Wiping her eyes._)
_Mat._ Don’t fret, dear; it’ll come.
_Car._ Oh, Matilda, a maiden’s heart should be as free as the summer
sun itself; and it’s sad when, in youth’s heyday, its trilling gladness
has been trodden underfoot by the iron-shod heel of a serpent!
Public-domain text, read in full here on John Shaqi.
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