Original Short Stories — Volume 04Maupassant, Guy de
General
Original Short Stories — Volume 04
Maupassant, Guy de
Short stories, French -- Translations into English
GUY DE MAUPASSANT
ORIGINAL SHORT STORIES
Translated by:
ALBERT M. C. McMASTER, B.A.
A. E. HENDERSON, B.A.
MME. QUESADA and Others
VOLUME IV.
THE MORIBUND
THE GAMEKEEPER
THE STORY OF A FARM GIRL
THE WRECK
THEODULE SABOT'S CONFESSION
THE WRONG HOUSE
THE DIAMOND NECKLACE
THE MARQUIS DE FUMEROL
THE TRIP OF THE HORLA
FAREWELL
THE WOLF
THE INN
THE MORIBUND
The warm autumn sun was beating down on the farmyard. Under the grass,
which had been cropped close by the cows, the earth soaked by recent
rains, was soft and sank in under the feet with a soggy noise, and the
apple trees, loaded with apples, were dropping their pale green fruit in
the dark green grass.
Four young heifers, tied in a line, were grazing and at times looking
toward the house and lowing. The fowls made a colored patch on the
dung-heap before the stable, scratching, moving about and cackling,
while two roosters crowed continually, digging worms for their hens,
whom they were calling with a loud clucking.
The wooden gate opened and a man entered. He might have been forty
years old, but he looked at least sixty, wrinkled, bent, walking slowly,
impeded by the weight of heavy wooden shoes full of straw. His long arms
hung down on both sides of his body. When he got near the farm a yellow
cur, tied at the foot of an enormous pear tree, beside a barrel which
served as his kennel, began at first to wag his tail and then to bark
for joy. The man cried:
“Down, Finot!”
The dog was quiet.
A peasant woman came out of the house. Her large, flat, bony body was
outlined under a long woollen jacket drawn in at the waist. A gray
skirt, too short, fell to the middle of her legs, which were encased
in blue stockings. She, too, wore wooden shoes, filled with straw. The
white cap, turned yellow, covered a few hairs which were plastered to
the scalp, and her brown, thin, ugly, toothless face had that wild,
animal expression which is often to be found on the faces of the
peasants.
The man asked:
“How is he gettin' along?”
The woman answered:
“The priest said it's the end--that he will never live through the
night.”
Both of them went into the house.
After passing through the kitchen, they entered a low, dark room, barely
lighted by one window, in front of which a piece of calico was hanging.
The big beams, turned brown with age and smoke, crossed the room from
one side to the other, supporting the thin floor of the garret, where an
army of rats ran about day and night.
The moist, lumpy earthen floor looked greasy, and, at the back of the
room, the bed made an indistinct white spot. A harsh, regular noise, a
difficult, hoarse, wheezing breathing, like the gurgling of water from
a broken pump, came from the darkened couch where an old man, the father
of the peasant woman, was dying.
The man and the woman approached the dying man and looked at him with
calm, resigned eyes.
The son-in-law said:
Public-domain text, read in full here on John Shaqi.
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