Original Short Stories — Volume 13Maupassant, Guy de
General
Original Short Stories — Volume 13
Maupassant, Guy de
Short stories, French -- Translations into English
Then I looked about. There was nothing striking about the room;
every-where were beautiful and modest things, simple and rare furniture,
Oriental curtains which did not seem to come from a department store but
from the interior of a harem; and exactly opposite me hung the portrait
of a woman. It was a portrait of medium size, showing the head and the
upper part of the body, and the hands, which were holding a book. She
was young, bareheaded; ribbons were woven in her hair; she was smiling
sadly. Was it because she was bareheaded, was it merely her natural
expression? I never have seen a portrait of a lady which seemed so much
in its place as that one in that dwelling. Of all those I knew I have
seen nothing like that one. All those that I know are on exhibition,
whether the lady be dressed in her gaudiest gown, with an attractive
headdress and a look which shows that she is posing first of all before
the artist and then before those who will look at her or whether they
have taken a comfortable attitude in an ordinary gown. Some are standing
majestically in all their beauty, which is not at all natural to them in
life. All of them have something, a flower or, a jewel, a crease in the
dress or a curve of the lip, which one feels to have been placed there
for effect by the artist. Whether they wear a hat or merely their hair
one can immediately notice that they are not entirely natural. Why? One
cannot say without knowing them, but the effect is there. They seem to
be calling somewhere, on people whom they wish to please and to whom
they wish to appear at their best advantage; and they have studied their
attitudes, sometimes modest, Sometimes haughty.
What could one say about this one? She was at home and alone. Yes, she
was alone, for she was smiling as one smiles when thinking in solitude
of something sad or sweet, and not as one smiles when one is being
watched. She seemed so much alone and so much at home that she made
the whole large apartment seem absolutely empty. She alone lived in it,
filled it, gave it life. Many people might come in and converse, laugh,
even sing; she would still be alone with a solitary smile, and she alone
would give it life with her pictured gaze.
That look also was unique. It fell directly on me, fixed and caressing,
without seeing me. All portraits know that they are being watched, and
they answer with their eyes, which see, think, follow us without leaving
us, from the very moment we enter the apartment they inhabit. This one
did not see me; it saw nothing, although its look was fixed directly on
me. I remembered the surprising verse of Baudelaire:
And your eyes, attractive as those of a portrait.
Public-domain text, read in full here on John Shaqi.
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