Oriole's daughter, a novel, Volume 1 (of 3) — John Shaqi
Oriole's daughter, a novel, Volume 1 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 1 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
‘Do not be too sure of the wickedness of Nero, signorina mia,’ broke
in the voice of Signor Giuseppe. ‘Nero was an artist. Never forget
that. To an artist, much may be forgiven. He rebuilt Rome, and left it
far more beautiful than did Augustus, even after his great boast. His
feeling for the beautiful was keen, strong, intense; in art, in music,
in architecture, in sumptuous ideas, grandly carried out, he excelled.
He was an artist. Yes, that was, in the main, the character of Nero.’
Utterly abashed, and incapable, with her mere smattering of the
language, of replying to him, or dealing with this view of the
question, the young girl became crimson and remained silent. Hans
Riemann, good naturedly but mistakenly advancing to her rescue,
observed that Nero must have been a rather terrific kind of artist.
‘Che!’ snapped Signor Giuseppe, in great excitement, while the long
sinewy fingers of his left hand endeavoured, with the aid of a piece
of bread, to chase a piece of meat on to the point of a knife which he
held in his right. Then, with flashing eyes, he muttered, but not so
low that Minna could not hear it all:
‘Dio mio! These English! These Americans! These wearisome girls, as
ignorant as apes, who come and patronize us--patronize Rome! and give
forth their idiotic sentiments on her monuments and heroes. Bah! ugh!
It is too much--it is far too much! It turns one’s blood to gall.’
His angry passions had arisen. His colour had fled. His eyes
flashed--his lips moved in whispers, inarticulate, of contempt and
dislike. Minna, who was endowed with a strong sense of the ridiculous,
felt the blood rush to her face in the strong effort she made to
refrain from smiling. She felt that for some reason or other she
would not for the world that Signor Giuseppe should see her smiling.
Therefore, as a matter of course, he at once raised his eyes and
fixed them full upon her face, just as the smile refused to be any
longer utterly concealed, just as the recollection of his impassioned
defence of Nero and his equally impassioned indictment of her younger
countrywoman made the laughter bubble over, into her eyes and upon
her mouth, whether she would or no. She felt as if she had been a
schoolgirl caught laughing when she should have been respectfully
listening to the professor’s lecture. The crimson tide mounted higher
and higher--she found her situation embarrassing, and was enraged with
herself for doing so. Relief appeared from an unexpected quarter.
Ettore again came stealing softly round to Signor Oriole’s side, and
whispered something in his ear.
‘Che diavolo!’ cried Signor Giuseppe, and this time the matter appeared
to be one of such urgent importance that he sprang up, pushed his
chair back with a loud rattle, and with a quick, eager step and rusty
coat-tails flying behind him, followed Ettore round the table and out
through a door.
Public-domain text, read in full here on John Shaqi.
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