Oriole's daughter, a novel, Volume 1 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 1 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
_Che vuole?_ indeed! Minna felt there was no reply to it. She let
the _padrona_ go, without having in any way committed herself on the
subject of her own future course, only in her mind was the very fixed
resolution that she would not at any price remain as the tenant of the
younger Vincenzini, who were marked examples of the deterioration of
a good stock. The wife was a colourless creature, given to flopping
about the house in a dressing-gown and curl-papers, and reading
greasy-looking paper-backed novels. The only time when she was tidy
was when she was dressed in florid splendour for the theatre, or
for some other entertainment. Her mind was not too far removed from
household things to make her above examining any box or drawer which
might have been incautiously left unfastened. The husband was Minna’s
peculiar detestation for many reasons, and she often wondered how the
excellent Signora Vincenzini came to have such a child. The worthy pair
were admirably adapted to cheat, rob, and neglect some innocent young
Englishman, not up to their ways, or some _deputato_ from the country,
who would need only bed and early cup of coffee in the house, and who
would take his more serious _colazione_ and dinner at some restaurant
in close vicinity to the Parliamentary building in Monte Citorio. Minna
resolved at once that she would not be the woman to prevent them from
securing such a prey.
Her chief object must be to get out of these rooms, and into others,
before the dowager signora should have taken her departure. Minna
was quite able to defend herself in any contest as to agreements and
prices; she knew exactly when to threaten the extortioner with the
_Questura_, and when gracefully to ignore the fact that she was being
cheated; but she was not fond of a row simply for its own sake, and
was morally convinced that she would have to encounter one should she
remain a day in the house after the departure of the present _padrona_.
After giving an hour or more to vexed consideration of the subject, she
at last rose, and with a heavy sigh went to her bedroom, put on her
outdoor things, and went forth to take her usual walk to her studio. It
was now late in November, and the rainy season had, more or less, set
in; but up to a week or ten days before it had been what dwellers in
less-favoured climes would call summer--high, hot summer. Minna thought
of it every now and then with a sigh of regret, and a great longing
for the skies and the atmosphere and the wonderful scintillating glory
of the heat which she had revelled in. In such weather the great
dark palaces are a joy; the marble halls are all one asks for; the
sculptures are instinct with life; one expects them every moment to
move and speak: but no, they remain there, keeping their secrets fast,
till the cold of winter sets in and they are once more statues--marble
statues, even to the most enthusiastic.
Public-domain text, read in full here on John Shaqi.
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