Oriole's daughter, a novel, Volume 2 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 2 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
Nothing had happened; nothing was going to happen. Minna, on this
unhappy day, left the house early, not intending to return to it. She
had said good-bye to Fulvia the night before. As for Signor Giuseppe,
she had scarcely caught so much as a glimpse of him for many days.
The man contrived to hide and efface himself, as it were. Sometimes
Minna was aware of a kind of slender dark shadow slipping away in the
background, silent, rapid, noiseless. Once or twice she had tried
to lay hold of the shadow, to say a few words to it, to force it to
speak to her, but she had not been successful. She had a painful, deep
conviction that Signor Giuseppe was suffering horribly; that he had
probably used every persuasion, every argument that he could think
of, to persuade Signora Dietrich to abandon her purpose, and that his
utter failure to move or turn her aside had literally crushed him. The
thought of this helpless misery made Minna suffer too. In the night,
sometimes, if she awoke and began to reflect upon all that was going
on, she found it was usually to him that her thoughts turned with the
greatest pity and compunction.
The ‘threadbare old scarecrow of a former lover of Signora Dietrich,’
Mrs. Charrington had called him; and it was a grandly contemptuous way
of dismissing the whole subject. But Minna could not dismiss it. A
threadbare old scarecrow (human) may suffer, and is not so well able to
fight his sufferings or the cause of them as a younger and stronger man
might be. She had this conviction very strongly, and would gladly have
afforded consolation had it been in her power to do so, but she found
no opportunity for it. He avoided her in the house, never came near the
studio, and someone said that Signor Oriole was very much engaged at
his office. Minna did not believe it.
It was a wonderful morning, late in April--that wedding-day. As Minna
made her way from Casa Dietrich to her studio, a delicious air blew
upon her face. The sky was flecked with white clouds. Rain had fallen
in the night, and the streets of Rome were glistening with the damp.
Now it was dark, now light, under the changing sky. The endless din
of the great city resounded on every side, as she walked with a heavy
heart through it all. She hoped in a few hours to be many miles away
from the city. She took a book and sat in the window waiting till the
carriage should come for her which she had ordered on her way hither.
Before the said carriage arrived, she heard a step in the corridor,
a subdued knock, and then the door was opened, and Signor Giuseppe
presented himself before her. A great weight fell from Minna’s heart.
She had foreboded she knew not what from his silence and avoidance of
her.
‘You have come,’ she exclaimed with animation, rising and going a
little towards him. Then she stopped, silent, not knowing what more to
say, he looked so woebegone, so utterly broken, and without heart or
courage--so unlike himself.
Public-domain text, read in full here on John Shaqi.
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