Oriole's daughter, a novel, Volume 2 (of 3) — John Shaqi
Oriole's daughter, a novel, Volume 2 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 2 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
Fulvia began to look thin and pale, but, unfortunately, even more
beautiful and attractive in her delicacy than when she had been in
blooming health. Her great eyes grew more lustrous, her beautiful face
gained a charm of haunting, wistful loveliness, from the very fact
that its rounded contours were changed; and the mournful droop of
her mouth was undoubtedly exquisitely beautiful. Sometimes she cast
aside her despondency, with an effort, perhaps, but completely, and
was her gay old self again, or very nearly so; laughed at them all,
caressed her mother, alternately teased and coaxed Signor Giuseppe
till his sorry expression relaxed and his eyes softened, and when he
ventured to turn them full upon the girl and study her, as he had
been wont to do, his sadness vanished; love and joy shone from his
eyes, ‘carina carisssima’ flowed from his lips, and there was a gleam
of happiness once more. These gleams, it will be understood, never
occurred when Marchmont was present. Then, Giuseppe either froze into
haughty silence, or worked himself into a fever of irritated impatience
which ended in his flinging himself out of the house, and tearing up
and down the busy, tortuous streets till he felt calmer, or--and that
happened oftenest--took himself out of the way entirely, unable to bear
the sight of Fulvia’s uneasy wretchedness, of her mother’s triumphant
self-complacency, and of Marchmont’s nauseous attempts at flattery and
love-making.
Signor Giuseppe was indeed a changed and saddened man. Minna pitied
him from the depths of her heart, and did her utmost to afford him
any silent consolation that lay in her power. She fancied that, to a
certain extent, she had succeeded, for he had once or twice called upon
her at the studio, in the twilight hour, on his way home from the cares
and toils of _l’ufficio_. She had received him with extended hand, a
smile of pleasure, a hearty ‘You are welcome,’ had drawn a chair near
to the stove, and he had sat down upon it. The first time he had made
some spasmodic attempts at conversation about all kinds of outside
things: a crisis in the Ministry, a message from the King, some English
war news that had come, and so forth.
Public-domain text, read in full here on John Shaqi.
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