Oriole's daughter, a novel, Volume 2 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 2 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
What would Fulvia’s marriage--her so-called marriage--make of her? It
was bound to work some great change or development in her character.
Would it ripen her early into a more than usually noble woman, proud
and reticent, suffering and strong? Would it crush her into a hopeless
slave, terrified and cowering before the tyrant to whom she was tied?
Or would it harden her into marble, stiffen all her girlish brightness
into a chilly glitter of the conventional, professional cheerfulness
all must wear, unless they wish the world to invent the most wonderful
calumnies concerning them and their lives? For it is true that the
inwardly unhappy, in certain circumstances, must either calumniate
themselves or be calumniated by others.
Minna could form no idea on the subject. She would have given a good
deal to learn something about it, but no sign came. There was no
news--no word of Fulvia, who had disappeared utterly when she had
departed with Marchmont for Milan on their way to London.
Minna’s state of mind grew more and more anxious, more and more
perturbed, as time went on, and the day beyond which her departure must
no longer be delayed approached with remorseless rapidity. She was
longing to leave Rome--to breathe an air which was not tainted with the
horrors and the sins of thousands of years, horrors and sins which had
never troubled her till the one horror, the one sin, was perpetrated
which went home to her and appealed to her. Now it seemed to her, when
she walked abroad, threading the narrow streets, or passing under or
beside the awful piles of ruin, as she glanced at the hoary grayness
of the Forum, looking ashen and ghastly in the dazzling May sunshine,
as she looked upwards at the grim frown of the overhanging fragments
of the Palatine, that the whole place reeked with sin and crime, and
with the deadly odour of shameful bargains and sales of human bodies
and souls. It was morbid, she felt, or tried to feel, but it was very
strong and very real; and, returning one Friday evening from the
comparative cool of Doria Pamfili gardens, into the odours and the
noises of the teeming streets below, she was suddenly seized with a
wild, unreasoning craving after a breath of the air, fresh from the
moor, salt from the sea, which she knew was blowing round her old gray
house far in the North, at home. The everlasting glare of blue and gold
in the sky and sun oppressed her; the voluptuous languor of the nights,
loud with music and vocal with thrilling notes of song, made her
feverish and restless. Had she followed her own impulse, she would have
fled within a few hours, nor ever rested till the Alps were between
her and this great insolent sorceress city.
She could not fly. Business still tied her for a few days, and the
idea that there was someone somewhere within those mazes of streets
with whom she had clasped hands in friendship, and whose misery was to
her nervous unrest as the ocean compared to a fretting brooklet, was a
torment to her.
Public-domain text, read in full here on John Shaqi.
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