Oriole's daughter, a novel, Volume 2 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 2 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
‘I wish you would let Fulvia sit to me. I am very anxious to do a bust
of her, or to try if I can do one.’
‘You flatter us both, signora. I find that your amiability makes far
too much of my little one. Her head will be turned, but I cannot refuse
such a request.’
‘Oh, thank you! Then she may come to the studio and give me some
sittings?’
‘With pleasure. Only--you will excuse me for reminding you that Fulvia
is now betrothed to Mr. Marchmont, who therefore has the first claim
upon her time. He will be enchanted, I am sure, that you should take
her likeness, but at the same time he will doubtless often wish to be
present when she is sitting to you.’
Minna had been prepared for something of the kind.
‘That I find perfectly natural under the circumstances,’ she said, with
unmoved countenance and undiminished cheerfulness. ‘Fulvia can go with
me to my studio, and Mr. Marchmont shall be admitted at whatever hour
he likes to call--when she is there.’
‘Then we may consider the matter settled,’ said the signora, with
the air of a great lady graciously bestowing a favour on a very
insignificant person, all of which Minna felt--felt to the marrow of
her bones, and boiled with indignation at being thus patronized by that
‘creature’; but all of which she resolutely swallowed, and swallowed
with a good grace, for the sake of getting this slight alleviation in
Fulvia’s distasteful day’s duties.
Thus it was arranged. From that day onwards Fulvia accompanied Minna
nearly every morning to her studio, and the work of modelling her
likeness began. Minna found it a perfectly fascinating occupation.
She was never tired of watching the charming head, of causing it to
turn this way and that, of trying the effect of different styles of
hair-dressing, of different veils or hoods, or draperies cast over
the glistening hair, of endeavouring to catch the effect of some
fleeting smile, the curve of some dimple, or the steadfast melancholy
of the beautiful mouth when sad thoughts had banished from its lips
all attempt at a smile. She began models in two or three different
attitudes, and was pleased with them all. The figure of the workman
was shrouded away from sight. He must be left until better days--till
the danger should be over and Fulvia safe and free from the hateful
bonds which at present held her.
Public-domain text, read in full here on John Shaqi.
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