Oriole's daughter, a novel, Volume 2 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 2 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
‘You must not go away without coming to see my particular den, Fulvia.
Come with me now. It is where I oftenest spend my time, so you will
know where to think of me. Come with us, won’t you?’ she added, taking
Signor Oriole’s hand, and drawing him along with her. They went through
the hall to the other side of the house, where were two or three
moderately sized rooms opening one out of the other.
‘Here is my sanctum,’ said Minna. ‘I don’t do any more sculpture
now--nothing to speak of. That is the almost last real piece of work
that I finished--really finished, you know. Do you remember it?’
She pointed with her finger to the bust of Fulvia the girl, and led
Fulvia the woman up to it, and made her stand in front of it.
For a moment her lips twitched, her eyebrows contracted. She did not
speak for some time, but stood quite steadily and motionless before
the bust, her hands lightly folded one over the other. At last she said:
‘I am sure it was an excellent likeness. I can see my present features
exactly.’ She smiled, and drew her forefinger down the line of her
nose. ‘And the eyes and the forehead, and the way the hair grows--it is
myself exactly, even now. But the expression! Did I really look such a
woebegone, sentimental, lackadaisical creature as that?’
She laughed, and turned inquiringly to Minna, who replied in a slow,
sad voice:
‘Yes, you looked even so sad as that; and you felt even so sad as that.’
Again a little impatient shrug of the shoulders, and a smiling ‘Dio
mio! I must have been a very depressing companion.’
She turned to find Signor Giuseppe standing just behind her, gazing
with intense, wistful earnestness through his spectacles, alternately
at her and at the likeness. His face was full of some kind of emotion.
She resolutely declined to notice it, but said to Minna:
‘I think it is an awful pity that you do not work any more at such
things as this. If you had been a poor woman you would have had to do
it, and you would have earned name and fame.’
‘Possibly,’ replied Minna dryly, as they went out of the room.
Fulvia would not sit down again. She said it was high time to get ready
for her drive to the station, as she would not miss the train on any
account.
* * * * *
Public-domain text, read in full here on John Shaqi.
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