Oriole's daughter, a novel, Volume 2 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 2 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
She stood and waited, her eyes fixed with unsparing shrewdness on
Minna’s face. The latter saw that the interview had to come. The sooner
it should be over the better.
‘I’ll come this afternoon. I can manage it,’ she said.
‘Very good. And let the tea-hour extend itself to dinner-time and the
evening as well. Now that I have you I may as well get all I can.’
‘Very well,’ said Minna unenthusiastically. ‘At five o’clock I’ll be
with you.’
‘Bene! Good-morning!’ with a comprehensive and perfectly meaningless
bow to Marchmont, and a condescending nod to Fulvia.
‘Allow me,’ exclaimed Marchmont, opening the door. ‘Did you drive? Let
me see you to your carriage.’
She made no objection. He went down the stairs with her, and presently
returned looking highly satisfied with himself.
‘A thoroughly stylish, well-bred person, Mrs. Charrington,’ he said
approvingly, and Minna repressed a shudder. ‘Has she long been a friend
of yours, Mrs. Hastings?’
‘Ever since I first visited Rome--now eight years ago,’ replied Minna
dryly. ‘Now, Fulvia mia, I release you. We will put on our bonnets and
go home to lunch.’
They did so. Minna did not return to her studio that afternoon, but
presented herself at the appointed hour, and rang the bell of Mrs.
Charrington’s _piano_. She found her alone.
CHAPTER X.
After tea had been administered, and sundry indifferent matters
discussed, Mrs. Charrington said, with a subtle change in her tone:
‘My dear, I congratulate you on the company in which I found you this
morning!’
‘What was wrong with the company?’ asked Minna calmly, but determined
to fight.
Mrs. Charrington shrugged her shoulders.
‘The girl is perfectly beautiful!’ she said, almost irrelevantly. ‘I
don’t wonder that you like to take her portrait; but what was the
other creature doing in your studio?’
‘Unfortunately “the girl,” as you call her, is engaged to the other
creature; and he has claims upon her society.’
‘She’s Signora Dietrich’s daughter, isn’t she?’
‘Yes.’
‘And are you still staying at that place?’
‘I am. It’s too much trouble to move.’
‘Or, rather, you don’t wish to move. I am astonished at you, I must
say. It is so unlike anything you have ever been accustomed to.’
‘But what do you know about it? When I told you I was there you said
you had no idea who they were.’
‘I had not then. But since then I have found out all that is necessary.’
‘Very kind of you to take so much trouble. Was it on my account?’
‘Don’t be huffy. Do you suppose I had anything but kind intentions
towards you? Yes, it was on your account. And also because--though I
could not remember just at the moment--I had a glimmering idea that I
had once heard something about those people. It is such a bore to have
a half-caught fact wandering round in your head, and evading you every
time you tried to grasp it, so I just made some investigations. La
signora is not the most estimable character imaginable, I think?’
Public-domain text, read in full here on John Shaqi.
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