Oriole's daughter, a novel, Volume 2 (of 3) — John Shaqi
Oriole's daughter, a novel, Volume 2 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 2 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
‘It is only too true. He and the mother are agreed. The girl is
helpless, Signor Oriole is helpless, of course. This creature is
enormously rich, and has tempted Signora Dietrich with a bait which she
cannot resist. He is to pay her debts and give her some money--set her
free, in fact--and Fulvia is to be handed over to him. It is a horrible
situation.’
‘You speak as if you had some personal concern in it,’ said Mrs.
Charrington in her clear, incisive tones--cool, cutting, merciless.
As those tones struck upon her ear, Minna felt how utterly illogical
was her own position in the matter, how purely a thing not of reason,
but of feeling, impulse, emotion. She realized that she had nothing to
urge in her own defence if she should be attacked on the subject, and
she clung all the more ardently to her attitude in the matter. It was
another proof of the friendlessness, the forlornness, of poor Fulvia
Dietrich that people should wonder why she, Minna Hastings, should
concern herself with her affairs. Of course there was nothing to be
gained by it but vexation and disappointment, and it is so foolish, so
unspeakably foolish, to let one’s self encounter these things on behalf
of one who can give nothing in return for the service--wild, quixotic,
vain. She said nothing.
‘Don’t you think,’ continued Mrs. Charrington, in her most dulcet
tones, ‘that on the whole you had better get out of it? It isn’t a nice
sort of thing to be mixed up in.’
‘I am not “mixed up” in it. I have nothing to do with it. I am sorry
for the poor man who has made such a mess of his life. I pity the girl
beyond all expression. It is pollution for an innocent young creature
to be in the presence, even, of that man who she is told is to be her
husband. I confess I can’t sit still and see a helpless thing writhe in
torture without even putting out a hand to try and help. It is little
enough that I can do. By coming to my studio for an hour or two every
day she has less time to spend with him and her mother. And, so long
as she is not actually married to him, I keep cherishing a hope that
perhaps something may happen to break it off--if you call that being
mixed up with it.’
Public-domain text, read in full here on John Shaqi.
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