Oriole's daughter, a novel, Volume 3 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 3 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
Fulvia’s mocking amusement at her husband’s grandiose ideas as to
the society they would presently be called upon to entertain was not
altogether justified by the result. A good many people did come to call
upon them--a good many more people than Minna had expected to do so; as
for Fulvia, she had not expected anyone, except perhaps the parson of
the parish, with whom a visit to them would be all in the day’s work.
In spite of all her experience of the world in the last five years, she
had overrated the repellant power of somewhat misty antecedents when
backed by an anything but misty purse, suddenly appearing in the midst
of a remote country district, where variety was not too frequent, and
where curiosity was rampant. The clergyman did call, and it was known
that Mrs. Hastings was on intimate terms with Mrs. Marchmont. Mrs.
Marchmont’s beauty, like her husband’s riches, was a light which could
not be hidden under a bushel; it burnt through it, and was evident to
all who had the fortune to see her.
Society was kind enough to a certain extent to glaze over the fact
of Marchmont’s being a mere parvenu, and a disagreeable one. His
illness and helplessness were much in his favour, especially as it was
understood that he had no wish to cloister that beautiful young wife
whose devotion and absolute propriety of conduct were understood to
be exemplary. As the summer went on, invitations came, all of which
he feverishly insisted upon her accepting. She was utterly averse to
it, not, of course, from the motives attributed to her by society, but
from sheer inner joylessness, emotional and moral starvation. She had
been smitten to the heart when she had parted with her girlhood, and
the wonderful strength which was hers was not the strength of joy and
life, which initiates, enjoys, anticipates, but only that of repression
and endurance. Whether she stayed at home or whether she went abroad
was much the same to her. Each course was equally blank and barren and
futile.
But perhaps it was less troublesome to put on the fine clothes and go
and mix with others, with ever the same glacial smile, than to refuse
to do it, and submit to the querulous complaints and reproaches of
her husband. Minna, who usually loved quietness, was quite willing to
break through her habit to chaperon Fulvia, and she went out with her
constantly. There was only one verdict as to Mrs. Marchmont. She was
beautiful; she was clever; she was perfectly _comme il faut_; good
style, quiet, self-possessed, no nonsense about her, ‘so much more like
an Englishwoman than a foreigner,’ some discriminating critics said.
But, then, she had been thrown so much amongst English people--she was
so much with Mrs. Hastings--she had taken the stamp. The one fault that
was found with her was that she was almost too quiet--was, at times,
almost, if not quite, uninteresting.
Public-domain text, read in full here on John Shaqi.
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