Oriole's daughter, a novel, Volume 3 (of 3)Fothergill, Jessie
General
Oriole's daughter, a novel, Volume 3 (of 3)
Fothergill, Jessie
Fathers and daughters -- Fiction; Illegitimate children -- Fiction; Married women -- Fiction; Rome (Italy) -- Fiction
She was intelligent and sensitive, with a nature at once strong and
romantic, and for such a girl no more delightful companion could
be imagined than the elderly Italian gentleman, with his stores of
learning and knowledge and research, and with also the background of
his own life, chequered and varied, from his early boyhood on his
father’s estate amongst the Sicilian hills; all the strange games he
used to play, all the wild adventures he knew of, with brigands and
robbers, with peasants and gentry--tales of savage vendetta or romantic
love, of curious hereditary customs appertaining to his house and
family. Then, later, when he was a youth, the burning sense of wrong
before the Italian risings against the hated foreign rule, the yoke
of the Bourbon--this sense of wrong which ate into his soul and into
the souls of other generous, hot-blooded lads like him; the secret
societies into which they banded themselves, their thrilling adventures
and escapes--not always escapes, either; their seizure by the minions
of the foreign Government: there was a story of one whole month in a
veritable dungeon which absolutely enthralled Rhoda.
Then the utter renunciation of his entire inheritance in order to serve
_la patria_; his services first in the Garibaldian army; the
battles, the sorties, the fighting in the red shirt, the wounds, the
hardships, the privations; his enrolment amongst regular troops, the
ultimate triumph, the march into Rome through the breach by Porta Pia,
the hoisting of the tricolour on Castel Sant’ Angelo and the Quirinal.
Different bits of this long story he would tell her at different times,
and of how he had been so very poor ‘after the battle was over,’ how
for a time he had gained his living by cutting cameos till he had found
shelter as a clerk for the foreign correspondence of Gismondi and
Nephew.
Rhoda listened, spell-bound, watching with fearsome delight for what
she called the ‘gory passages,’ when Signor Giuseppe’s head was
uplifted and his nostrils dilated, and his dark eyes flashed fire from
under his shaggy, still black eyebrows.
‘Oh, Aunt Minna, doesn’t he look terrible,’ she would whisper beneath
her breath, with a delicious shudder, ‘when he tells of battles and
wounds!’
Then Signor Oriole would laugh sarcastically, and say:
‘Ah, Rhoda, mia carina, you are like all the rest of your sex--so soft
and gentle, and delighting so thoroughly in blood. I will wager that if
the amphitheatre still existed, and the gladiators and the wild beasts
were known to be particularly savage, you would flock there in crowds,
even as in the days of Nero, and Caligula and Commodus. And some of
the best seats would still be set apart for the Vestal Virgins, who in
this case would be the daintiest and most high-born dames in society,
and who would never fail to claim their privilege, any more than those
pagan priestesses did--you are all alike, everyone exactly alike.’
Public-domain text, read in full here on John Shaqi.
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