Ormond; Or, The Secret Witness. Volume 1 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 1 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
If you were not deeply interested in the fate of my friend, yet my
undertaking will not be useless, inasmuch as it will introduce you to
scenes to which you have been hitherto a stranger. The modes of life,
the influence of public events upon the character and happiness of
individuals in America, are new to you. The distinctions of birth, and
the artificial degrees of esteem or contempt which connect themselves
with different professions and ranks in your native country, are but
little known among us. Society and manners constitute your favourite
study, and I am willing to believe that my relation will supply you with
knowledge, on these heads, not to be otherwise obtained. If these
details be in that respect unsatisfactory, all that I can add, is my
counsel to go and examine for yourself.
S.C.
Germany
ORMOND,
OR THE
_SECRET WITNESS._
CHAPTER I.
Stephen Dudley was a native of New York. He was educated to the
profession of a painter. His father's trade was that of an apothecary.
But this son, manifesting an attachment to the pencil, he was resolved
that it should be gratified. For this end Stephen was sent at an early
age to Europe, and not only enjoyed the instructions of Fuzeli and
Bartolozzi, but spent a considerable period in Italy, in studying the
Augustan and Medicean monuments. It was intended that he should practise
his art in his native city, but the young man, though reconciled to
this scheme by deference to paternal authority, and by a sense of its
propriety, was willing as long as possible to postpone it. The
liberality of his father relieved him from all pecuniary cares. His
whole time was devoted to the improvement of his skill in his favourite
art, and the enriching of his mind with every valuable accomplishment.
He was endowed with a comprehensive genius and indefatigable industry.
His progress was proportionably rapid, and he passed his time without
much regard to futurity, being too well satisfied with the present to
anticipate a change. A change however was unavoidable, and he was
obliged at length to pay a reluctant obedience to his father's repeated
summons. The death of his wife had rendered his society still more
necessary to the old gentleman.
He married before his return. The woman whom he had selected was an
unportioned orphan, and was recommended merely by her moral qualities.
These, however, were eminent, and secured to her, till the end of her
life, the affection of her husband. Though painting was capable of fully
gratifying his taste as matter of amusement, he quickly found that, in
his new situation, it would not answer the ends of a profession. His
father supported himself by the profits of his shop, but with all his
industry he could do no more than procure a subsistence for himself and
his son.
Public-domain text, read in full here on John Shaqi.
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