Ormond; Or, The Secret Witness. Volume 1 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 1 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
To give certainty to this hope, she cast her eye towards the house
opposite to which she now stood. Her heart drooped on perceiving proofs
that the dwelling was still inhabited. The door was open, and the
windows in the second and third story were raised. Near the entrance, in
the street, stood a cart. The horse attached to it, in its form and
furniture and attitude, was an emblem of torpor and decay. His gaunt
sides, motionless limbs, his gummy and dead eyes, and his head hanging
to the ground, were in unison with the craziness of the vehicle to which
he belonged, and the paltry and bedusted harness which covered him. No
attendant nor any human face was visible. The stillness, though at an
hour customarily busy, was uninterrupted except by the sound of wheels
moving at an almost indistinguishable distance.
She paused for a moment to contemplate this unwonted spectacle. Her
trepidations were mingled with emotions not unakin to sublimity, but the
consciousness of danger speedily prevailed, and she hastened to acquit
herself of her engagement. She approached the door for this purpose, but
before she could draw the bell, her motions were arrested by sounds from
within. The staircase was opposite the door. Two persons were now
discovered descending the stairs. They lifted between them a heavy mass,
which was presently discerned to be a coffin. Shocked by this discovery,
and trembling, she withdrew from the entrance.
At this moment a door on the opposite side of the street opened, and a
female came out. Constantia approached her involuntarily, and her
appearance not being unattractive, ventured more by gestures than by
words, to inquire whose obsequies were thus unceremoniously conducted.
The woman informed her that the dead was Matthews, who, two days before
was walking about, indifferent to and braving danger. She cut short the
narrative which her companion seemed willing to prolong, and to
embellish with all its circumstances, and hastened home with her utmost
expedition.
The mind of Constantia was a stranger to pusillanimity. Death, as the
common lot of all, was regarded by her without perturbation. The value
of life, though no annihilated, was certainly diminished by adversity.
With whatever solemnity contemplated, it excited on her own account no
aversion or inquietude. For her father's sake only death was an evil to
be ardently deprecated. The nature of the prevalent disease, the limits
and modes of its influence, the risk that is incurred by approaching the
sick or the dead, or by breathing the surrounding element, were subjects
foreign to her education. She judged like the mass of mankind from the
most obvious appearances, and was subject like them to impulses which
disdained the control of her reason. With all her complacency for death,
and speculative resignation to the fate that governs the world, disquiet
and alarm pervaded her bosom on this occasion.
Public-domain text, read in full here on John Shaqi.
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