Ormond; Or, The Secret Witness. Volume 2 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 2 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
Her Sicilian tutor had found her no less tractable as a votary of
painting. She needed only the education of Angelica to exercise as
potent and prolific a pencil. This was incompatible with her condition,
which limited her attainments to the element of this art. It was
otherwise with music. Here there was no obstacle to skill, and here the
assiduities of many years in addition to a prompt and ardent genius, set
her beyond the hopes of rivalship.
Ormond had often amused his fancy with calling up images of excellences
in this art. He saw no bounds to the influence of habit, in augmenting
the speed and multiplying the divisions of muscular motion. The fingers,
by their form and size, were qualified to outrun and elude the most
vigilant eye. The sensibility of keys and wires had limits; but these
limits depended on the structure of the instrument, and the perfection
of its structure was proportioned to the skill of the artist. On
well-constructed keys and strings, was it possible to carry diversities
of movement and pressure too far? How far they could be carried was mere
theme of conjecture, until it was his fate to listen to the magical
performances of Helena, whose volant finger seemed to be self-impelled.
Her touches were creative of a thousand forms of _piano_, and of
numberless transitions from grave to quick, perceptible only to ears
like her own.
In the selection and arrangement of notes there are no limits to
luxuriance and celerity. Helena had long relinquished the drudgery of
imitation. She never played but when there were motives to fervour, and
when she was likely to ascend without impediment, and to maintain for a
suitable period her elevation, to the element of new ideas. The lyrics
of Milton and of Metastasio she sung with accompaniments that never
tired, because they were never repeated. Her harp and clavichord
supplied her with endless combinations, and these, in the opinion of
Ormond, were not inferior to the happiest exertions of Handel and Arne.
Chess was his favourite amusement. This was the only game which he
allowed himself to play. He had studied it with so much zeal and
success, that there were few with whom he deigned to contend. He was
prone to consider it as a sort of criterion of human capacity. He who
had acquired skill in this _science_ could not be infirm in mind; and
yet he found in Helena a competitor not unworthy of all his energies.
Many hours were consumed in this employment, and here the lady was
sedate, considerate, extensive in foresight, and fertile in expedients.
Her deportment was graceful, inasmuch as it flowed from a consciousness
of her defects. She was devoid of arrogance and vanity, neither
imagining herself better than she was, and setting light by those
qualifications which she unquestionably possessed. Such was the mixed
character of this woman.
Public-domain text, read in full here on John Shaqi.
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