Ormond; Or, The Secret Witness. Volume 2 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 2 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
The narrative of Melbourne made a deeper impression on the mind of his
guest than was at first apparent. This man's conduct was directed by the
present impulse; and, however elaborate his abstract notions, he seldom
stopped to settle the agreement between his principles and actions. The
use of money was a science like every other branch of benevolence, not
reducible to any fixed principles. No man, in the disbursement of money,
could say whether he was conferring a benefit or injury. The visible and
immediate effects might be good, but evil was its ultimate and general
tendency. To be governed by a view to the present rather than the future
was a human infirmity from which he did not pretend to be exempt. This,
though an insufficient apology for the conduct of a rational being, was
suitable to his indolence, and he was content in all cases to employ it.
It was thus that he reconciled himself to beneficent acts, and
humourously held himself up as an object of censure, on occasions when
most entitled to applause.
He easily procured information as to the character and situation of the
Dudleys. Neighbours are always inquisitive, and happily, in this case,
were enabled to make no unfavourable report. He resolved without
hesitation to supply their wants. This he performed in a manner truly
characteristic. There was a method of gaining access to families, and
marking them in their unguarded attitudes, more easy and effectual than
any other: it required least preparation and cost least pains; the
disguise, also, was of the most impenetrable kind. He had served a sort
of occasional apprenticeship to the art, and executed its functions with
perfect ease. It was the most entire and grotesque metamorphosis
imaginable. It was stepping from the highest to the lowest rank in
society, and shifting himself into a form as remote from his own as
those recorded by Ovid. In a word, it was sometimes his practice to
exchange his complexion and habiliments for those of a negro and a
chimney-sweep, and to call at certain doors for employment. This he
generally secured by importunities, and the cheapness of his services.
When the loftiness of his port, and the punctiliousness of his nicety
were considered, we should never have believed--what yet could be truly
asserted--that he had frequently swept his own chimneys, without the
knowledge of his own servants.[1] It was likewise true, though equally
incredible, that he had played at romps with his scullion, and listened
with patience to a thousand slanders on his own character.
[1] Similar exploits are related of Count de la Lippe and
Wortley Montague.
Public-domain text, read in full here on John Shaqi.
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