Ormond; Or, The Secret Witness. Volume 3 (of 3) — John Shaqi
Ormond; Or, The Secret Witness. Volume 3 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 3 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
M'Crea answered that for his part he had little dealings in gold and
silver, but every thing of that kind which fell to his share he
transacted with Mr. D----. This person was one of the most eminent of
his profession. His character and place of abode were universally
known. Tho only expedient that remained was to apply to him, and to
ascertain, forthwith, the destiny of the picture. It was too probable
that, when separated from its case, the portrait was thrown away or
destroyed, as a mere encumbrance, but the truth was too momentous to be
made the sport of mere probability. She left the house of M'Crea, and
hastened to that of the goldsmith.
The circumstance was easily recalled to his remembrance. It was true
that such a picture had been offered for sale, and that he had purchased
it. The workmanship was curious, and he felt unwilling to destroy it. He
therefore hung it up in his shop and indulged the hope that a purchaser
would some time be attracted by the mere beauty of the toy.
Constantia's hopes were revived by these tidings, and she earnestly
inquired if it were still in his possession.
"No. A young gentleman had entered his shop some months before: the
picture had caught his fancy, and he had given a price which the artist
owned he should not have demanded, had he not been encouraged by the
eagerness which the gentleman betrayed to possess it."
"Who was this gentleman? Had there been any previous acquaintance
between them? What was his name, his profession, and where was he to be
found?"
"Really," the goldsmith answered, "he was ignorant respecting all those
particulars. Previously to this purchase, the gentleman had sometimes
visited his shop; but he did not recollect to have since seen him. He
was unacquainted with his name and his residence."
"What appeared to be his motives for purchasing this picture?"
"The customer appeared highly pleased with it. Pleasure, rather than
surprise, seemed to be produced by the sight of it. If I were permitted
to judge," continued the artist, "I should imagine that the young man
was acquainted with the original. To say the truth, I hinted as much at
the time, and I did not see that he discouraged the supposition. Indeed,
I cannot conceive how the picture could otherwise have gained any value
in his eyes."
This only heightened the eagerness of Constantia to trace the footsteps
of the youth. It was obvious to suppose some communication or connection
between her friend and this purchaser. She repeated her inquiries, and
the goldsmith, after some consideration, said, "Why, on second thoughts,
I seem to have some notion of having seen a figure like that of my
customer go into a lodging-house in Front Street, some time before I met
with him at my shop."
Public-domain text, read in full here on John Shaqi.
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