Ormond; Or, The Secret Witness. Volume 3 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 3 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
It was intimated to him that danger would arise from the pestilential
condition of the house. Unless cleansed and purified, disease would be
unavoidably contracted. The inconvenience and hazard this applicant was
willing to encounter, and, at length, hinted that no alternative was
allowed him by his present landlord but to lie in the street or to
procure some other abode.
"What was the external appearance of this person?"
"He was infirm, past the middle age, of melancholy aspect and indigent
garb. A year had since elapsed, and more characteristic particulars had
not been remarked, or were forgotten. The name had been mentioned, but,
in the midst of more recent and momentous transactions, had vanished
from remembrance. Dudley, or Dolby, or Hadley, seemed to approach more
nearly than any other sounds."
Permission to inspect the house was readily granted. It had remained,
since that period, unoccupied. The furniture and goods were scanty and
wretched, and he did not care to endanger his safety by meddling with
them. He believed that they had not been removed or touched.
I was insensible of any hazard which attended my visit, and, with the
guidance of a servant, who felt as little apprehension as myself,
hastened to the spot. I found nothing but tables and chairs. Clothing
was nowhere to be seen. An earthen pot, without handle, and broken,
stood upon the kitchen-hearth. No other implement or vessel for the
preparation of food appeared.
These forlorn appearances were accounted for by the servant, by
supposing the house to have been long since rifled of every thing worth
the trouble of removal, by the villains who occupied the neighbouring
houses,--this alley, it seems, being noted for the profligacy of its
inhabitants.
When I reflected that a wretched hovel like this had been, probably, the
last retreat of the Dudleys, when I painted their sufferings, of which
the numberless tales of distress of which I had lately been an auditor
enabled me to form an adequate conception, I felt as if to lie down and
expire on the very spot where Constantia had fallen was the only
sacrifice to friendship which time had left to me.
From this house I wandered to the field where the dead had been,
promiscuously and by hundreds, interred. I counted the long series of
graves, which were closely ranged, and, being recently levelled,
exhibited the appearance of a harrowed field. Methought I could have
given thousands to know in what spot the body of my friend lay, that I
might moisten the sacred earth with my tears. Boards hastily nailed
together formed the best receptacle which the exigencies of the time
could grant to the dead. Many corpses were thrown into a single
excavation, and all distinctions founded on merit and rank were
obliterated. The father and child had been placed in the same cart and
thrown into the same hole.
Public-domain text, read in full here on John Shaqi.
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