Orpheus in Mayfair, and Other Stories and SketchesBaring, Maurice
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Orpheus in Mayfair, and Other Stories and Sketches
Baring, Maurice
English fiction -- 20th century; Short stories
It was in the middle of the second summer after his arrival that an
incident occurred which proved to be the turning point of his career. A
London hostess was giving a party in honour of a foreign Personage.
It had been intimated that some kind of music would be expected.
The hostess had neither the means nor the desire to secure for her
entertainment stars of the first magnitude, but she gathered together
some lesser lights--a violinist, a pianist, and a singer of French
drawing-room melodies. On the morning of the day on which her concert
was to be given, the hostess received a telegram from the singer of
French drawing-room melodies to say that she had got a bad cold, and
could not possibly sing that night. The hostess was in despair, but a
musical friend of hers came to the rescue, and promised to obtain for
her an excellent substitute, a man who sang Greek songs.
* * * * *
When Margaritis received the telegram from Arkwright’s Agency that
he was to sing that night at A---- House, he was overjoyed, and could
scarcely believe his eyes. He at once communicated the news to Tina, and
they spent hours in discussing what songs he should sing, who the good
fairy could have been who recommended him, and in building castles in
the air with regard to the result of this engagement. He would become
famous; they would have enough money to go to Italy for a holiday; he
would give concerts; he would reveal to the modern world the music of
Hellas.
About half-past four in the afternoon Margaritis went out to buy
himself some respectable evening studs from a large emporium in the
neighbourhood. When he returned, singing and whistling on the stairs for
joy, he was met by Tina, who to his astonishment was quite pale, and he
saw at a glance that something had happened.
“They’ve put me off!” he said. “Or it was a mistake. I knew it was too
good to be true.”
“It’s not that,” said Tina, “it’s Carlo!” Carlo was their little boy,
who was nearly four years old.
“What?” said Margaritis.
Tina dragged him into their little sitting-room. “He is ill,” she said,
“very ill, and I don’t know what’s the matter with him.”
Margaritis turned pale. “Let me see him,” he said. “We must get a
doctor.”
“The doctor is coming: I went for him at once,” she said. And then they
walked on tiptoe into the bedroom where Carlo was lying in his cot,
tossing about, and evidently in a raging fever. Half an hour later
the doctor came. Margaritis and Tina waited, silent and trembling with
anxiety, while he examined the child. At last he came from the bedroom
with a grave face. He said that the child was very seriously ill, but
that if he got through the night he would very probably recover.
“I must send a telegram,” said Margaritis to Tina. “I cannot possibly
go.” Tina squeezed his hand, and then with a brave smile she went back
to the sick-room.
Public-domain text, read in full here on John Shaqi.
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