“I’m so sorry to be so late, Louise, dear,” she said. “Let me introduce Mr. ---- to you.” And whether she had forgotten the name or not, Mrs. Bergmann did not know or care at the time, but it was mumbled in such a manner that it was impossible to catch it. Mrs. Bergmann shook hands with him absent-mindedly, and, looking at the clock, saw that it was ten minutes to two. “I have been deceived,” she thought to herself, and anger rose in her breast like a wave. At the same time she felt the one thing necessary was not to lose her head, or let anything damp the spirits of her guests. “We’ll go down to luncheon directly,” she said. “I’m expecting some one else, but he probably won’t come till later.” She led the way and everybody trooped downstairs to the dining-room, feeling that disappointment was in store for them. Mrs. Bergmann left the place on her right vacant; she did not dare fill it up, because in her heart of hearts she felt certain Shakespeare would arrive, and she looked forward to a _coup de theatre_, which would be quite spoilt if his place was occupied. On her left sat Count Sciarra; the unknown friend of Angela Lockton sat at the end of the table next to Willmott. The luncheon started haltingly. Angela Lockton’s friend was heard saying in a clear voice that the dust in London was very trying. “Have you come from the country?” asked M. Faubourg. “I myself am just returned from Oxford, where I once more admired your admirable English lawns--_vos pelouses seculaires_.” “Yes,” said the stranger, “I only came up to town to-day, because it seems indeed a waste and a pity to spend the finest time of the year in London.” Count Sciarra, who had not uttered a word since he had entered the house, turned to his hostess and asked her whom she considered, after herself, to be the most beautiful woman in the room, Lady Irene, Lady Hyacinth, or Mrs. Milden? “Mrs. Milden,” he went on, “has the smile of La Gioconda, and hands and hair for Leonardo to paint. Lady Gloucester,” he continued, leaving out the Christian name, “is English, like one of Shakespeare’s women, Desdemona or Imogen; and Lady Irene has no nationality, she belongs to the dream worlds of Shelley and D’Annunzio: she is the guardian Lady of Shelley’s ‘Sensitiva,’ the vision of the lily. ‘Quale un vaso liturgico d’argento.’ And you, madame, you take away all my sense of criticism. ‘Vous me troublez trop pour que je definisse votre genre de beaute.’”