Orpheus; or, The music of the futureTurner, W. J. (Walter James)
Philosophy
Orpheus; or, The music of the future
Turner, W. J. (Walter James)
Music -- Philosophy and aesthetics
[7] For example we can ask nothing more than that a composer should
write “exciting musical patterns.” It all depends upon what is meant by
“exciting.”
CHAPTER VII
BEYOND ALL SENSE
Music will not end with Beethoven. It is possible that the very
problems that confronted him and still confront us will fade out of
the imagination just as those political problems which occupied so
much of the attention of the historical world from the Greek Republics
to the British Empire are ceasing to exist before our very eyes.
And when we think of the religious dissensions of Christendom and
reflect on the questions which once divided father from son, sect
from sect, church from church, it is with difficulty that we can give
them a meaning intelligible to our minds, much less feel any shadow
of the life that was once in them. In the memory of living men,
heartburning intellectual problems have become empty phrases. Darwin,
Huxley, and the Anglican Bishops all seem as unreal as the waxworks of
Madame Tussaud and are seen to be the complementary phenomena of an
intellectual nightmare. No one to-day imagines that Truth wears the
strange Victorian get-up of any of these gentlemen.
Similarly the sociological phantoms of the age of Bernard Shaw and
H. G. Wells, of Karl Marx and Lenin are cutting the last of their
antithetical capers. Socialist and Anti-Socialist, Communist and
Anti-Communist, Conservative and Revolutionary have suddenly caught
sight of their own faces behind the masks of their opponents. Their
passionate reality is seen to be no more than a Fancy Dress Ball--for
all these figments, these fictions, these _Ideas_ were never any more
than the Masks of false passions, passions which have never succeeded
in begetting a progeny, since they are the mere nightmare passions of
social indigestion.
In another five generations there will be no poverty, there may be
no matrimony, there will certainly, if there is no poverty, be no
patrimony. Children may take their mother’s name and then fathers
will have not even a fifty-year royalty upon their creations. Men and
women will look upon their children as artists look upon their works
and will wish others to enjoy them. The world will be so changed that
none of the problems which to-day set our newspapers printing and
our politicians talking will even exist. Our present ideas on sex,
morality, beauty and value will in those days appear as strange,
as fantastic, as illusory as the ideas of our ancestors who took
Beecham’s pills to cure all ills.
Public-domain text, read in full here on John Shaqi.
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