Authors, Irish -- 19th century -- Biography; Wilde, Oscar, 1854-1900
The fourth act is laid in the hall of justice. The Duchess has accused
Guido of the murder. He will not defend himself though Moranzone, who
has recognised the dagger as the Duchess's, urges him to do so. Guido
tells his evil genius that he himself did the deed. He then begs leave
of the Justiciar to let him name the guilty one who slew the Duke, but
Beatrice, who is fearful he will accuse her, urges that he shall not be
allowed speech. A lengthy wrangle takes place between her, the judges,
and Moranzone, and the court retires to consider the point. During the
interval, the accused holds conference with the Cardinal, who will only
hear him in the Confessional. Beatrice tells him, "An thou dost meet my
husband in Purgatory with a blood-red star over his heart, tell him I
send you to bear him company." When at last the judges return they
decide that Guido may have speech. Beatrice, who has arranged for a
horse to be in waiting that it may convey her to Venice, endeavours to
leave the court, but is prevented. At last Guido speaks and confesses to
the murder. He is condemned to death, and is led forth as Beatrice,
calling out his name, "throws wide her arms and rushes across the stage
towards him."
The last act takes place in the prison. Guido is asleep, and Beatrice,
wearing a cloak and mask, enters to him. By wearing these and using her
ring of State she hopes he will be enabled to escape. Presently she
drinks the poison which, as he is of noble birth, has been placed near
him and when he awakes a reconciliation takes place between them. It is
too late, the poison has begun to work. "Oh, Beatrice, thy mouth wears
roses that do defy Death," exclaims Guido, and later on--"Who sins for
love, sins not," to which Beatrice replies, "I have sinned, and yet
mayhap shall I be forgiven. I have loved much." They kiss each other for
the first time in this act, and in a final spasm she expires, and he,
snatching the dagger from her belt, stabs himself as the executioner
enters.
The play was read for copyright purposes in March, 1907, by an amateur
dramatic society connected with St James's Church, Hampstead Road, Mr
George Alexander, lending his theatre for the purpose. It has been
produced, but without much success, in America by Miss Gale and the late
Lawrence Barrett, and in 1904 at one of the leading theatres in Hamburg.
The German production was, however, marred by a series of unfortunate
incidents, so that it can hardly be held to have been a fair test of the
merits of the play. The Guido had a severe cold, and during Beatrice's
long speech in the last act, when he is supposed to be asleep, kept on
spoiling the situation by repeated sneezes, while the Duchess herself
was uncertain of her words. On the third night the Cardinal went mad on
the stage and had to be taken off to an asylum.
Public-domain text, read in full here on John Shaqi.
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