"The Duchess of Padua" is much more a play for the study than the stage, although replete with dramatic possibilities, for its gloomy character would always militate against its success in this country. The plot is finely elaborated, and yet perfectly clear. The characterisation is keenly aware of the value of contrast in art and packed with a psychology which, buried as it is, nevertheless is just and accurate. No one can read the truly poetical dialogue with its stately cadence and rich volume of sound without being moved by the dignity of tragedy, and what blemishes there may be are more due to inexperience than to any departure from the ideals in art that the author had set up for himself. "VERA, OR THE NIHILISTS" And now in the survey of the Romantic Dramas we come to a play totally different from any other work of the author's--"Vera, or the Nihilists." This is a melodrama pure and simple, the action taking place in Russia in 1795. It is described as "A Drama in a prologue and four acts," and was written in 1881. Badly produced and acted in America it was printed for private circulation. The dramatis personæ are: PERSONS IN THE PROLOGUE PETER SABOUROFF (an Innkeeper). VERA SABOUROFF (his Daughter). MICHAEL (a Peasant). COLONEL KOTEMKIN. PERSONS IN THE PLAY IVAN THE CZAR. PRINCE PAUL MARALOFFSKI (Prime Minister of Russia). PRINCE PETROVITCH. COUNT ROUVALOFF. MARQUIS DE POIVRARD. BARON RAFF. GENERAL KOTEMKIN. A PAGE. _Nihilists_ PETER TCHERNAVITCH, President of the Nihilists. MICHAEL. ALEXIS IVANACIEVITCH, known as a Student of Medicine. PROFESSOR MARFA. VERA SABOUROFF. Soldiers, Conspirators, etc. Scene, Moscow. Time, 1800. The plot is briefly as follows:-- Dmitri Sabouroff, the son of an innkeeper, is, with other prisoners, on his way to an exile in Siberia to which he has been sentenced for participation in Nihilist conspiracies. The band of prisoners in its melancholy progress halts at the paternal inn. Dmitri is recognised by his sister Vera, and manages to pass her a piece of paper on which is written the address of the Nihilist centre, together with the form of oath used on joining. Then the old innkeeper recognises his son and tries to get to him as the prisoners are being marched off. The colonel in charge of the detachment (Kotemkin), closes the door on him and the old man falls senseless to the ground. A peasant admirer of Vera's (Michael) kneels down and tends the stricken father while Vera recites the oath: "To strangle whatever nature is in me; neither to love nor to be loved; neither to pity nor to be pitied; neither to marry nor to be given in marriage, till the end is come." This tableau ends the prologue. In the first act the Nihilists are assembled at their secret meeting place and are anxiously waiting the return of Vera, who has gone to a ball at the Grand Duke's to "see the Czar and all his cursed brood face to face."