Authors, Irish -- 19th century -- Biography; Wilde, Oscar, 1854-1900
"Equally with all untruth must all impurity be excluded from art.
Purity and chastity are requirements resulting from the very nature
of art. But it is just because art is so closely connected with
sensuousness, that there is such obvious temptation to present the
sensuous in false independence, to call forth the mere
gratification of the senses. The sensuous must, however, be always
subordinated to the intellectual, for this is involved in the
demand for _ideality_, in other words, for that impress of
perfection given by the idea and the mind in every artistic
representation. And even if æsthetic ideality is present in a work
of art, it must be subordinated to ethic ideality, to the moral
purity in the artist's mind, a purity diffused throughout the
whole."
Enough has been said and quoted to prove to all those who believe that
art, while it is the chief regenerative force in life, cannot possibly
be dissociated from morals, that Wilde's view of art in its relation to
morals is entirely unsound and dangerous to the half-educated and those
who do not know how the greatest brains of the world have regarded this
question. It is not necessary to continue or to pile proof upon proof,
easy though this would be.
From the people who have a little culture, imagine they have much more,
and are dazzled by the splendour and beauty of Wilde's execution, it
will be idle to expect an assent. Those who believe in art for art's
sake as an infallible doctrine, may be divided into three classes.
First of all there are the very young, whose experience of life has not
taught them the truth. They have not seen or known life as a whole, and,
therefore, no sound ethical view can possibly disabuse them of the
heresy.
There are those again, older and more mature, who have not made
experience of life in its harsher and sadder aspects sufficient to wean
them from Wilde's theory, in which they are interested from a purely
academic point of view. And there is another class who are convinced
secretly in their own hearts that art for art's sake is an untenable
doctrine, but know that if they accepted it they would have to give up
much which they are unable to do without and which makes life pleasant
and dulls the conscience.
Public-domain text, read in full here on John Shaqi.
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